Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl
Visit https://bibliotekanauki.pl
Title variants
Theatre as an essay on man. About the early work of Rudolf Zioło in the period 1983–1989
Teatr jako esej o człowieku. O wczesnej twórczości Rudolfa Zioły w latach 1983–1989
Teatr jako esej o człowieku. O wczesnej twórczości Rudolfa Zioły w latach 1983–1989
Languages of publication
Abstracts
'Psie serce' (1983), 'Mały bies' (1985), 'Oni' (1985) and 'Republika marzeń/ (1987) are the four very important performances directed by Rudolf Zioło in Krakow. They clearly mark the scope of both formal and thematic search in the early period of the artist’s work. The literary prototype that Zioło is faithful to, becomes only a pretext for discussion with the audience about the surrounding reality and social inequalities, as well as the mechanisms behind evil. According to the reviews which have been preserved, Zioło’s performances made in Krakow in the period 1983–1989, were usually received enthusiastically and evoked a lot of emotions. His skill for building a deep psychological motivation of characters and constructing stage activities on the basis of an in-depth analysis will be a distinguishing feature of Zioło’s theatre for many years. Additionally, a strong stage realism, strengthened by scenographic solutions, will be a starting point of a grotesque, deviation and talking about difficult life situations and humanity. In his opinion, it is only the theatre after 1989 that becomes liberated from alternative functions.
'Psie serce' (1983), 'Mały bies' (1985), 'Oni' (1985) and 'Republika marzeń' (1987) are the four very important performances directed by Rudolf Zioło in Krakow. They clearly mark the scope of both formal and thematic search in the early period of the artist’s work. The literary prototype that Zioło is faithful to, becomes only a pretext for discussion with the audience about the surrounding reality and social inequalities, as well as the mechanisms behind evil. According to the reviews which have been preserved, Zioło’s performances made in Krakow in the period 1983–1989, were usually received enthusiastically and evoked a lot of emotions. His skill for building a deep psychological motivation of characters and constructing stage activities on the basis of an in-depth analysis will be a distinguishing feature of Zioło’s theatre for many years. Additionally, a strong stage realism, strengthened by scenographic solutions, will be a starting point of a grotesque, deviation and talking about difficult life situations and humanity. In his opinion, it is only the theatre after 1989 that becomes liberated from alternative functions.
'Psie serce' (1983), 'Mały bies' (1985), 'Oni' (1985) and 'Republika marzeń' (1987) are the four very important performances directed by Rudolf Zioło in Krakow. They clearly mark the scope of both formal and thematic search in the early period of the artist’s work. The literary prototype that Zioło is faithful to, becomes only a pretext for discussion with the audience about the surrounding reality and social inequalities, as well as the mechanisms behind evil. According to the reviews which have been preserved, Zioło’s performances made in Krakow in the period 1983–1989, were usually received enthusiastically and evoked a lot of emotions. His skill for building a deep psychological motivation of characters and constructing stage activities on the basis of an in-depth analysis will be a distinguishing feature of Zioło’s theatre for many years. Additionally, a strong stage realism, strengthened by scenographic solutions, will be a starting point of a grotesque, deviation and talking about difficult life situations and humanity. In his opinion, it is only the theatre after 1989 that becomes liberated from alternative functions.
'Psie serce' (1983), 'Mały bies' (1985), 'Oni' (1985) and 'Republika marzeń' (1987) are the four very important performances directed by Rudolf Zioło in Krakow. They clearly mark the scope of both formal and thematic search in the early period of the artist’s work. The literary prototype that Zioło is faithful to, becomes only a pretext for discussion with the audience about the surrounding reality and social inequalities, as well as the mechanisms behind evil. According to the reviews which have been preserved, Zioło’s performances made in Krakow in the period 1983–1989, were usually received enthusiastically and evoked a lot of emotions. His skill for building a deep psychological motivation of characters and constructing stage activities on the basis of an in-depth analysis will be a distinguishing feature of Zioło’s theatre for many years. Additionally, a strong stage realism, strengthened by scenographic solutions, will be a starting point of a grotesque, deviation and talking about difficult life situations and humanity. In his opinion, it is only the theatre after 1989 that becomes liberated from alternative functions.
Keywords
Year
Volume
Pages
275-284
Physical description
Dates
published
2019-12-25
Contributors
author
- Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie
References
- Majchrowski Z., Szczątki założycielskie, [w:] 20-lecie. Teatr polski po 1989, red. D. Jarząbek, M. Kościelniak i G. Niziołek, Kraków 2010, s. 7–19.
- Niziołek G., Rudolf Zioło. Świat cytatów, teatr bez świata, „Dialog” 1993, nr 9, s. 102–108.
- Poskuta-Włodek D., Co dzień powtarza się gra… Teatr im. Juliusza Słowackiego w Krakowie 1893–1993, Kraków 1993, s. 221–239.
- Poskuta-Włodek D., Jak wyhodować strusiopawia, czyli Gra przestrzeni i przedmiotu oraz radość z bańki mydlanej na przykładzie krakowskich przedstawień Rudolfa Zioły i Andrzeja Witkowskiego, „Na Głos”, czerwiec 1994, s. 154–163.
- Programy teatralne do sztuk: Psie serce, Mały bies, Oni, Republika marzeń w reżyserii Rudolfa Zioły.
- Rudolf Zioło – życie i twórczość, 2001, https://culture.pl/pl/tworca/rudolf-ziolo (dostęp: 14.05.2018).
Document Type
Publication order reference
Identifiers
YADDA identifier
bwmeta1.element.ojs-doi-10_24917_20811853_19_18
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.