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2019 | 19 | 58-65

Article title

„Niechaj nam w Jasełkach nikt nie przedstawia, że Jezus urodził się w Palestynie” – „Betlejem polskie” Lucjana Rydla jako szopka literacka

Authors

Content

Title variants

'Let no one in the nativity play show us that Jeses was born in Palestine' - 'Polish Bethlehem' by Lucjan Rydel as a literary nativity scene
„Niechaj nam w Jasełkach nikt nie przedstawia, że Jezus urodził się w Palestynie” – „Betlejem polskie” Lucjana Rydla jako szopka literacka
„Niechaj nam w Jasełkach nikt nie przedstawia, że Jezus urodził się w Palestynie” – „Betlejem polskie” Lucjana Rydla jako szopka literacka

Languages of publication

PL

Abstracts

RU
The article is focused on Lucjan Rydel as the author of Polish Bethlehem – a nativity play in which its author saw the most perfect form of folk theatre, a concept he himself keenly propagated. The central issue here is an attempt to observe how Rydel, drawing upon the history of nativity plays as well as their traditional text and character, created a sublime patriotic spectacle which later became a template for all subsequent literary nativity plays inspiriting Polish history and at the same time commenting on current affairs. Furthermore, the text presents Polish Bethlehem through the prism of modernist artists’ interest in the nativity scene as a literary genre and juxtaposes Rydel’s work with the nativity plays written by the Green Balloon Cabaret in order to show two significant directions in which this cultural phenomenon was evolving at the turn of the 20th century.
EN
The article is focused on Lucjan Rydel as the author of Polish Bethlehem – a nativity play in which its author saw the most perfect form of folk theatre, a concept he himself keenly propagated. The central issue here is an attempt to observe how Rydel, drawing upon the history of nativity plays as well as their traditional text and character, created a sublime patriotic spectacle which later became a template for all subsequent literary nativity plays inspiriting Polish history and at the same time commenting on current affairs. Furthermore, the text presents Polish Bethlehem through the prism of modernist artists’ interest in the nativity scene as a literary genre and juxtaposes Rydel’s work with the nativity plays written by the Green Balloon Cabaret in order to show two significant directions in which this cultural phenomenon was evolving at the turn of the 20th century.
DE
The article is focused on Lucjan Rydel as the author of Polish Bethlehem – a nativity play in which its author saw the most perfect form of folk theatre, a concept he himself keenly propagated. The central issue here is an attempt to observe how Rydel, drawing upon the history of nativity plays as well as their traditional text and character, created a sublime patriotic spectacle which later became a template for all subsequent literary nativity plays inspiriting Polish history and at the same time commenting on current affairs. Furthermore, the text presents Polish Bethlehem through the prism of modernist artists’ interest in the nativity scene as a literary genre and juxtaposes Rydel’s work with the nativity plays written by the Green Balloon Cabaret in order to show two significant directions in which this cultural phenomenon was evolving at the turn of the 20th century.

Year

Volume

19

Pages

58-65

Physical description

Dates

published
2019-12-25

Contributors

author
  • Uniwersytet Warszawski

References

  • Boy-Żeleński T., Słówka, Kraków 1953.
  • Dużyk J., Droga do Bronowic. Opowieść o Lucjanie Rydlu, wyd. 2 poprawione i uzupełnione, Warszawa 1972.
  • Kozieł A., Betlejem krakowskie. Dzieje szopki krakowskiej, Kraków 2003.
  • Lucjan Rydel. Betlejem polskie (program teatralny Tarnowskiego Teatru im. Ludwika Solskiego), Tarnów 2008.
  • Pan wiecznie Młody. Lucjan Rydel w 100-lecie śmierci, red. M. Baran, Kraków 2018.
  • Rydel L., Teatr wiejski przyszłości, „Przegląd Powszechny” 1903, z. 3.
  • Słownik pojęć i tekstów kultury. Terytoria słowa, red. E. Szczęsna, Warszawa 2004.
  • Szałapak A., Szopka krakowska jako zjawisko folkloru krakowskiego na tle szopki europejskiej. Studium historyczno-etnograficzne, Kraków 2012.
  • Weiss T., Legenda i prawda Zielonego Balonika, Kraków 1987.
  • Wierzbowski R., Szopka satyryczna – polski gatunek teatralno-literacki,[w:] tegoż, O szopce. Studia i szkice, Łódź 1990.

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.ojs-doi-10_24917_20811853_19_4
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