Autonomia kodu w sztuce mediów. Przykład rzeźby cybernetycznej "Senster" Edwarda Ihnatowicza

• Authors: Anna Olszewska , Marek Długosz

Title variants

EN

Autonomy of code in media art. Edward Ihnatowicz’s "Senster" as an example of a cybernetic sculpture

Abstracts

EN

The authors of the text argue that any relationship established between the code and analogue elements of the operating system should be recognized as a matter of aesthetic choice. According to them with free code writing, enabled by rising computational power, certain elements (procedures) of the work may become part of artistic expression as a result of the designer’s arbitrary decision. In contrast, in older installations codes had to be well-matched to ensure compatibility with the analogue components of the system because of constraints in computer performance. It was a relationship in which only these procedures could be applied which conformed to the architecture of the operating system. Consequently, the expression of such work was essentially a reflection of its structure.

Keywords

PL

oprogramowanie; elektronika; ekspresja; sztuka mediów; senster

EN

software; electronics; expression; media art; senster

• Publisher: Narodowe Centrum Kultury
• Journal: Kultura Współczesna. Teoria. Interpretacje. Praktyka
• Year: 2019
• Volume: 104
• Issue: 1
• Pages: 67-80

Contributors

author

Anna Olszewska

author

Marek Długosz

Identifiers

DOI

10.26112/kw.2019.104.06

Biblioteka Nauki

1856758