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2022 | 118 | 2 | 165-179

Article title

Cykl „Untitled Film Stills” – fotograficzny indeks kobiecych (stereo)typów Cindy Sherman

Authors

Content

Title variants

EN
„Untitled Film Stills”. Cindy Sherman’s photographic index of female (stereo)types

Languages of publication

Abstracts

EN
This article discusses female stereo(types) functioning in culture and social awareness. It analyses Cindy Sherman’s series of photographs, highlighting film as one of its sources. Hollywood productions did not only create but also consolidated several female images whose network of beliefs, views, and fantasies about women continues until today. Exploring the female types generated by cinema, the artist changes her outfits-costumes, hairstyles, make-up, and set design not only to present the multitude of the types but also to encourage self-reflection. Another important aspect of the article is identity. Using Untitled Film Stills to provide context, the author of the text analyses the complexity and amalgamation of female identity based as much on women’s own choices as on what seems personal but is in fact effected by visual culture. This leads the author to the discussion of stereotypes embedded in our awareness through which we are able to recognise what the photographs communicate. The same stereotypes also format our perception of reality, distorting and inhibiting our processes of learning and reflection. The point of both Sherman’s series and this article is to expose these stereotypes and activate our defence mechanisms to negate them.

Year

Volume

118

Issue

2

Pages

165-179

Physical description

Dates

published
2022

Contributors

References

  • Berger, Karol. Potęga smaku. Tłum. Anna Tenczyńska. Gdańsk: Wydawnictwo Słowo / obraz terytoria, 2008.
  • Brewińska, Maria. „Kanibalizm? O zawłaszczeniach w sztuce”. Zachęta, marzec–maj 2015.
  • Campany, David. Art and Photography. London, New York: Phaidon 2003.
  • Dybel, Paweł. „Refleksje wokół diagramu różnicy seksualnej Jacques’a Lacana”. W: Krytyka feministyczna. Siostra teorii i historii literatury, red. Grażyna Borkowska, Liliana Sikorska. Warszawa: Instytut Badań Literackich PAN, 2000.
  • Galassi, Peter. „Komentarz”. Tłum. Barbara Kopeć. W: Cindy Sherman. The Complete „Untitled Film Stills”. (Fotosy bez tytułu). Warszawa: Centrum Sztuki Współczesnej, 1998.
  • Gaylord, Kristen. Cindy Sherman. MoMA. https://www.moma.org/artists/5392.
  • Molesworth, Helen. „The comfort of objects”. Frieze 36 (1997). https://www.frieze.com/article/comfort-objects.
  • Olechnicki, Krzysztof. Antropologia obrazu. Fotografia jako metoda, przedmiot i medium nauk społecznych. Warszawa: Oficyna Naukowa, 2003.
  • Reckitt, Helena, Peggy Phelan. Art and Feminism. London, New York: Phaidon, 2001.
  • Skrzypczak, Magdalena. „Fermentacja codzienności w doświadczeniu podmiotu twórczego. Rekonesans”. Zagadnienia Rodzajów Literackich 60, 1 (2017).
  • Sontag, Susan. O fotografii. Tłum. Sławomir Magala. Kraków: Wydawnictwo Karakter, 2009.

Document Type

Publication order reference

Identifiers

Biblioteka Nauki
2157563

YADDA identifier

bwmeta1.element.ojs-doi-10_26112_kw_2022_118_12
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