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Title variants
The Cabinet of Doctor Gotard. Bruno Schulz and the German Expressionist Film
Languages of publication
Abstracts
The plot of the “Sanatorium under the Sign of an Hourglass” resembles that of the most famous film of the German expressionism – The Cabinet of Doctor Caligari (1920) by Robert Wiene. In fact, similarities go beyond the plot and can be discovered also in the expressionist manner of creating the presented world and characters, the mysterious atmosphere, and many important details discussed in the essay. Is it likely that Bruno Schulz saw the film about the demonic hypnotist and his medium, which inspired him to write the story about doctor Gotard’s sanatorium?
Keywords
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Journal
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Physical description
Dates
published
2017-03-01
Contributors
author
References
Document Type
Publication order reference
Identifiers
YADDA identifier
bwmeta1.element.ojs-doi-10_26881_sf_2017_09_02
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