Metoda analizy wizualnej dzieł Brunona Schulza w pracach Paola Caneppelego „La Repubblica dei Sogni” i „I Capelli della Cometa”

• Authors: Barbara Miceli , Katarzyna Kaszorek

Title variants

EN

A Visual Approach to the Work of Bruno Schulz in Paolo Caneppele’s „La Repubblica dei Sogni” and „I Capelli della Cometa”

• Languages of publication: PL

Abstracts

PL

The reception of the works of Bruno Schulz in Italy has been growing wider and more diversified in the last few years. Among the examples of such a reception there are two essays by Paolo Caneppele: La Repubblica dei Sogni Bruno Schulz, Cinema e Arti Figurative tra Galizia e Vienna (The Republic of Dreams: Bruno Schulz, Cinema and Figurative Arts between Galicia and Vienna, 2004) and I Capelli della Cometa. Di Esseri in Fiamme, Catastrofi Varie e Donne in Bicicletta (The Hair of the Comet. Of Beings on Fire, Various Catastrophes and Women on the Bicycle, 2008). Caneppele, whose main research interest is in cinema, analyzes Schulz’s work through the lens of the visual, thus providing a theory according to which everything produced by him (prose and paintings) is influenced by the aspect of vision, color, and movement. The aim of this essay is not only to acknowledge this particular reception of Schulz in Italy (and in Austria as well, as Caneppele is the head of the film related material collection of the Austrian Film Museum in Vienna), but also to retrace the visual path embodying cinema, plastic arts, and fiction in his work, which is a strand of studies that can be furtherly expanded and explored.

• Publisher: Fundacja Terytoria Książki
• Journal: Schulz/Forum
• Year: 2020
• Issue: 15
• Pages: 241-247

Dates

published

2020-09-24

Contributors

author

Barbara Miceli

author

Katarzyna Kaszorek

Identifiers

DOI

10.26881/sf.2020.15.15