Иконное наследие Пимена Софронова в Шеветонском монастыре

• Authors: Mari-Liis Paaver-Potashenko

Abstracts

EN

This article offers an art analysis of the collection of icons by the Estonian icon painter Pimen Sofronov housed in the Monastery of Chevetogne in Belgium. Sofronov’s icons found their way to this monastery in different ways. All of the seven icons were created in the 1930s, when he taught the orthodox icon painting and worked in various places in Europe and personally acquired an abundance of new knowledge. The author examines the development ofSofronov’s artistic language during these years and discusses the European artistic and cultural context of that time, which is essential to understanding his work. Despite his acquaintance with different cultures and traditions of icon painting, Sofronov remained true to his roots as can be seen in his icons in Chevetogne. Sofronov found his own way of developing and renewing the Old Believers’ icon painting tradition. This can also be perceived as a deeper understanding of the traditional Russian Old Believer icon painting.

Keywords

RU

Pimen Sofronov; Chevetogne Abbey; icon painting; Old Believers in Estonia; Orthodoxy

PL

Pimen Sofronov; Chevetogne Abbey; icon painting; Old Believers in Estonia; Orthodoxy

• Publisher: Uniwersytet Warmińsko-Mazurski w Olsztynie
• Journal: Acta Neophilologica
• Year: 2022
• Volume: 1
• Issue: XXIV
• Pages: 267-276

Dates

published

2022

Contributors

author

Mari-Liis Paaver-Potashenko

• Kultuuriministeerium, Eesti, Tallinn

• https://orcid.org/0000000284876039

References

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Identifiers

DOI

10.31648/an.7441

Biblioteka Nauki

2131280