CONTINGENCY AND IMPROVISATION IN PERFORMANCE ART FROM THE 1970s TO THE PRESENT

Abstracts

EN

The first part of the article focuses on how an accident or unexpected event may influence a performance piece. Examples of accidents with creative potential are described. The second part concerns improvisation; it investigates what it means to improvise in performance art and reveals the political potential of improvisation. Even though artists reluctantly admit they improvise or make errors, examples of such cases suggest this is not uncommon and usually involves unexpected audience interaction or occurs when the piece's structure is open. The article is based on artists' statements, performances described in the literature, and those witnessed by the author. The theoretical part is mainly based on articles by Alessandro Bertinetto.

Keywords

EN

performance art; improvisation; contingency; coincidence in art; happening

• Publisher: Akademia Sztuk Pięknych w Gdańsku
• Journal: Sztuka i Dokumentacja
• Year: 2020
• Issue: 22
• Pages: 9-16

Dates

published

2020

Contributors

other

Małgorzata Kaźmierczak

• Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie

Identifiers

DOI

10.32020/ARTandDOC/22/2020/4