Contemporary Art Practice: an Exploration of Alternative Strategies

• Authors: Nina Czegledy

Keywords

EN

art research; alternative exhibition strategies; transformation of public expressions; participatory audience involvement; curatorship

• Publisher: Akademia Sztuk Pięknych w Gdańsku
• Journal: Sztuka i Dokumentacja
• Year: 2021
• Issue: 24
• Pages: 159-164

Dates

published

2021

Contributors

author

Nina Czegledy

References

• #SocialMedium. Frye Museum, Seattle, October 4, 2014 – January 4, 2015.
• http://fryemuseum.org/exhibition/5631/.
• Borden, Ann. “Light Show.” Emory Magazine, Spring 2015. http://www.emory.edu/EMORY_MAGAZINE/issues/2015/spring/register/backpage.html.
• Click! A crowd-curated exhibition. Brooklyn Museum, June 27–August 10, 2008.brooklynmuseum.org. https://www.brooklynmuseum.org/exhibitions/click/.
• Czegledy, Nina. “Galactic Wind,” ninaczegledy.net, http://www.ninaczegledy.net/projects/galactic-wind.
• Earnshaw, Rae, Susan Liggett and Karen Heald. “Interdisciplinary collaboration methodologies in art, design and media.” 2013. https://www.academia.edu/5779593/Interdisciplinary_Collaboration_Methodologies_in_Art_Design_and_Media. https://www.researchgate.net/publication/290543290_Interdisciplinary_collaboration_methodologies_in_art_design_and_media.
• Gamerman, Ellen. “Everybody’s and Art Curator.” The Wall Street Journal, Oct.23, 2014.http://www.wsj.com/articles/everybodys-an-art-curator-1414102402.
• Greenwood, Janinka. “Arts-Based Research: Weaving Magic and Meaning.” International Journal of Education & the Arts, 13(Interlude 1) (2012). Retrieved [Feb 17 2021] from http://www.ijea.org/v13i1/.
• (PDF) https://www.researchgate.net/publication/279371991_Arts-based_research_Weaving_magic_and_meaning.
• Lee, Armand. “When Walls Have Meaning.” armandlee.com. 2018. http://armandlee.com/art-presentation-walls-meaning/.
• McNiff, Shaun. Art-based research, 2007, https://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.738.4618&rep=rep1&type=pdf.
• McNiff, Shaun. Art-based research. London and Philadelphia: Jessica Kingsley Publishers, 1998.
• McNiff, Shaun. “Arts-based research.” In J. Gary Knowles and Andra L. Cole, eds., Handbook of the arts in qualitative research: perspective, methodologies, example and issues, 83–92. Thousand Oaks, CA: Sage Publications, 2007.
• Oprea, Corina. “The End of The Curator: On Curatorial Acts as Collective Production of Knowledge.” Loughborough University, School of the Arts studentship, phd diss.,
• 2017. https://hdl.handle.net/2134/25605, or https://repository.lboro.ac.uk/articles/thesis/The_end_of_the_curator_on_curatorial_acts_as_collective_production_of_knowledge/9332957.
• Piirma, Piibe. “Foreword.” In Rhizope, Art & Science – Hybrid Art and Interdisciplinary Research, Piibe Piirma and Veronika Valk, eds., 7. Tallinn: Estonian Academy of Arts, 2014. https://www.researchgate.net/profile/Lennart_Lennuk/publication/272087955_On_the_borderland_of_art_and_science_-_the_amazing_language_of_music_in_nature/links/54da213c0cf25013d0440f05/On-the-borderland-of-art-and-science-the-amazing-language-of-music-in-nature.pdf.
• Roos-Brown, Erinn. “Is the Role of the Curator Evolving?” artsfwd.org, May 16, 2013.http://artsfwd.org/changing-curators/.
• Sullivan, Graeme. Art Practice as Research: Inquiry in the Visual Arts. Thousand Oaks, CA: Sage Publications, 2005.
• Thomson, Kristin, Kristen Purcell and Lee Rainie. “Arts Organizations and Digital Technologies.” Pew Research Center. 2013. http://www.pewinternet.org/2013/01/04/arts-organizations-and-digital-technologies/.
• Urban Bee Lab. research.annemariemaes.net. https://research.annemariemaes.net/doku.php.
• Vincent, Alice. “How has the Internet changed art?” The Telegraph, 01 October 2014.https://www.telegraph.co.uk/culture/art/art-features/11130492/How-has-the-internet-changed-art.html.
• Wed, Benny. “How the role of the curator has changed since the 1960s.” https://www.academia.edu/9672194/How_the_role_of_the_curator_has_changed_since_the_1960s.
• Wipprecht, Annouk. http://www.anoukwipprecht.nl/#intro-1.
• Zaher, Mohamed. “The impact of digital technologies on Art and Artists,” Midan Masr, 2018, http://www.midanmasr.com/en/printerfriendly.aspx?ArticleID=200.

Identifiers

DOI

10.32020/ARTandDOC/24/2021/17

Biblioteka Nauki

2171416