A Garden of the Soul and an Interpretation of the Life: The Hypogeal Painting of Garden Room of the Villa of Livia

• Authors: Giulia Caneva

Keywords

EN

Villa of Livia; Prima Porta; Museo Nazionale Romano; Palazzo Massimo; ancient Rome; Golden Age; frescos; herbarium; contemporart art; biodiversity; Hypogeal Painting

• Publisher: Akademia Sztuk Pięknych w Gdańsku
• Journal: Sztuka i Dokumentacja
• Year: 2022
• Issue: 26
• Pages: 41-49

Dates

published

2022

Contributors

author

Giulia Caneva

• University of Roma Tre, Department of Science

References

• Calci, Carmelo and Gaetano Messineo. La Villa di Livia a Prima Porta. Roma: De Luca, 1984.
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• Caneva, Giulia. “Il giardino come espressione del divino nelle rappresentazioni dell’antica Roma.” In Kathleen Coleman and Pascale Ducrey, eds. Le jardin dans l’antiquité. Tome LX, 301-361. Genève: Fondation Hardt, 2014.
• Caneva, Giulia. Il codice botanico di Augusto. Roma, Ara pacis: parlare al popolo attraverso le immagini della natura = The Augustus Botanical code. Roma: speaking to the People through the images of nature. Roma: Gangemi, 2010.
• Caneva, Giulia, Ettore Pacini, Maria Adele Signorini and Angelo Merante. “La fitoiconologia per il riconoscimento e l’interpretazione delle rappresentazioni artistiche.” In Giulia Caneva, ed., La Biologia vegetale per i beni culturali, vol. 2, 85-128. Firenze: Nardini Editore, 2005.
• Caneva, Giulia and Lorenza Bohuny. “Botanical Analysis on the Livia’s Villa Painted Flora (Prima Porta, Roma).” Science and Technology in Cultural Heritage 4 (2003): 149-155.
• Caneva, Giulia. “Ipotesi sul significato simbolico del giardino dipinto della villa di Livia (Prima Porta, Roma).” Bullettino della Commissione archeologica comunale di Roma C (1999): 64–79.
• Möller, O. “Die Botanik in den Fresken der Villa Livia.“[Sitzungprotokolle]. Mitteilungen des Kaiserlich Deutschen Archäologischen Instituts: Römische Abteilung V (1890): 78-80 [66-83].
• Förtsch, Reinhard. “Ein Aurea-Aetas-Schema”. Mitteilungen des Deutschen Archäologischen Instituts, Römische Abteilung 96 (1989): 333–345.
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• Gleason, Kathryn L. “The Lost Dimension: Pruned Plants in Roman Gardens.” Vegetation History and Archaeobotany 28 (3) (2019): 311-325.
• Green, Ashleigh. “Lesbia's Controversial Bird: Testing the Cases for and against Passer as Sparrow.” Antichthon 55 (2021): 6-20.
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• Guenon, René. Simboli della scienza sacra (tit. orig. Symboles fondamentaux de la Science sacrée. Paris: Gallimard, 1962). Translated by Francesco Zambon. Milano: Adelphi Edizioni, 1975.
• Hosseini, Zohreh and Giulia Caneva. “Lost Gardens: From Knowledge to Revitalization and Cultural Valorization of Natural Elements.” Sustainability 14 (5) (2022): 2956.
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• Kumbaric, Alma and Giulia Caneva. “Updated Floristic Biodiversity of Roman Iconography.” Rendiconti Lincei 25 (2) (2014): 181-193.
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• Savo, Valentina, Alma Kumbaric and Giulia Caneva. “Grapevine (Vitis vinifera L.) Symbolism in the Ancient Euro-Mediterranean Culture. Notes on Economic Plants.” Economic Botany 70 (2) (2016): 190-197.
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• Tammisto, Antero. ”The Representations of the Capercaillie (Tetrao urogallus) and the Pheasant (Phasianus colchicus) in Romano-Campanian Wall Paintings and Mosaics.” Arctos–Acta Philologica Fennica 23 (1989): 223-247.

Identifiers

DOI

10.32020/ArtandDoc/26/2022/11

Biblioteka Nauki

2175167