Władysław Hasior in Sweden: Reassessing Peripheral Neo-Avant-Garde Networks Through Horizontal Art History

• Authors: Karolina Kolenda

Keywords

EN

Art and Documentation; Władysław Hasior; Sweden; Peripheral Neo-Avant-Garde; Horizontal Art History; Piotr Piotrowski

• Publisher: Akademia Sztuk Pięknych w Gdańsku
• Journal: Sztuka i Dokumentacja
• Year: 2022
• Issue: 27
• Pages: 65-75

Dates

published

2022

Contributors

author

Karolina Kolenda

• Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie

References

• András, Edit. “Who’s Afraid of a New Paradigm? The ‘Old’ Art Criticism of the East versus the ‘New’ Critical Theory of the West.” ArtMargins. Published electronically 20.04.2002. Accessed 28.07.2022. https://artmargins.com/whos-afraid-of-a-new-paradigm-the-qoldq-art-criticism-of-the-east-versus-the-qnewq-critical-theory-of-the-west/.
• Bochyński, Romuald K. “Wczesna twórczość Hasiora a nowe tendencje w rzeźbie lat 60. XX wieku.” In Granice sztuki współczesnej – wokół twórczości Władysława Hasiora, edited by Marzanna Raińska, 11–14. Nowy Sącz: MCK Sokół, 2011.
• Boettger, Susan. “Within and Beyond the Art World: Environmentalist Criticism of Visual Art.” In Handbook of Ecocriticism and Cultural Ecology. Edited by Hubert Zapf, 664–82. Berlin: De Gruyter, 2016.
• Braddock, Alan C. “From Nature to Ecology: The Emergence of Ecocritical Art History.” In A Companion to American Art. Edited by John Davis, Jennifer A Greenhill and Jason D. LaFountain, 447–68. Chichester: Wiley, 2015.
• Braddock, Alan C., and Christoph Irmscher. A Keener Perception: Ecocritical Studies in American Art History. Tuscaloosa: University of Alabama, 2009.
• Bydler, Charlotte, and Dan Karlholm. “Functions of Realist Art in Sweden, circa 1970. Lena Svedberg and Olle Kåks.” Baltic Worlds. Published electronically 30.01.2017. Accessed 28.07.2022. https://balticworlds.com/functions-of-realist-art-in-sweden-circa-1970/?s=sweden.
• Chrobak, Józef. "Władysław Hasior. Kalendarium / Timeline." In Władysław Hasior. Europejski Rauschenberg? / The European Rauschenberg?, edited by Józef Chrobak, 193–268. Kraków: MOCAK, 2014.
• Dembowska, Julita, Kasia Redzisz, Kola Śliwińska, and Ewa Tatar, eds. Konferencja tatrzańska. Wokół Zakopanego i sztuki Władysława Hasiora. Zakopane: Muzeum Tatrzańskie, 2015.
• Edling, Marta. “From Margin to Margin? The Stockholm Paris Axis 1944–1953.” Konsthistorisk tidskrift/Journal of Art History 88, no. 1 (2019): 1-16. https://doi.org/10.1080/00233609.2019.1576764.
• Figzał-Janikowska, Magdalena. “Miejskie performanse Władysława Hasiora.” Pamiętnik Teatralny 71, no. 1 (2022): 11-32.
• Fowkes, Maja. The Green Bloc: Neo-Avant-Garde Art and Ecology under Socialism. Budapest–New York: CEU, 2015.
• Fritz, Björn. “Art and Politics Since 1950.” In Swedish Art History: A Selection of Introductory Texts. Edited by Ludwig Qvarnström, 335–70. Lund: Lunds Universitet, 2018.
• Guilbaut, Serge. How New York Stole the Idea of Modern Art: Abstract Expressionism, Freedom, and the Cold War. Translated by Arthur Goldhammer. Chicago-London: University of Chicago, 1983.
• Hasior, Władysław. Myśli o sztuce. Nowy Sącz: Oficyna Wydawnicza Związku Podhalan, 1987.
• Jakubowska, Agata, ed. Alina Szapocznikow. Awkward Objects. Warszawa: MSN, 2011.
• Kiossev, Alexander. “The Self-Colonizing Metaphor.” Atlas of Transformation. Accessed 28.07.2022. http://monumenttotransformation.org/atlas-of-transformation/html/s/self-colonization/the-self-colonizing-metaphor-alexander-kiossev.html.
• Kirchner, Hanna. “O Hasiorze – po latach / About Hasior – After Many Years.” In Władysław Hasior. Europejski Rauschenberg? / The European Rauschenberg? Edited by Józef Chrobak, 14–37. Kraków: MOCAK, 2014.
• Kolenda, Karolina. “The Grass is Greener: Władysław Hasior in an Ecocritical Perspective.” Ikonotheka 30 (2020): 155–71.
• Kowalska, Bożena. “An Artist Innovator – a Folk But Universal One.” In Hasior. Powrót, 23–32. Nowy Sącz: MCK Sokół, 2010/2011.
• Kowalska, Bożena. “Hasior jako prekursor i twórca własnej wersji pop-artu.” In Granice sztuki współczesnej – wokół twórczości Władysława Hasiora, edited by Marzanna Raińska, 9-10. Nowy Sącz: MCK Sokół, 2011.
• Kozina, Irma. “Contexts of Władysław Hasior’s Artistic Actions.” In Hasior. Powrót, 63–67. Nowy Sącz: MCK Sokół, 2010/2011.
• Magnusson Staaf, Björn. “Prehistoric Art in Scandinavia.” In Swedish Art History: A Selection of Introductory Texts. Edited by Ludwig Qvarnström, 19–34. Lund: Lunds Universitet, 2018.
• Moskalewicz, Magdalena. “Twórczość Władysława Hasiora w latach 60. na tle artystycznych eksperymentów neoawangardy.” In Granice sztuki współczesnej – wokół twórczości Władysława Hasiora. Edited by Marzanna Raińska, 15-19. Nowy Sącz: MCK Sokół, 2011.
• Murawska-Muthesius, Katarzyna. “Paris from behind the Iron Curtain.” In Paris: Capital of the Arts 1900-1968. Edited by Sarah Wilson and Eric de Chassey, 250–59. London: Royal Academy of Arts, 2002.
• Öhrner, Annika. “The Moderna Museet in Stockholm – The Institution and the Avant-Garde.” In A Cultural History of the Avant-Garde in the Nordic Countries 1950–1975. Edited by Tania Ørum and Jesper Olsson, 112–21. Leiden-Boston: Brill Rodopi, 2016.
• Öhrner, Annika. “Recalling Pelican: On P.O. Ultvedt, Robert Rauschenberg and Two ‘Ballets’.” Konsthistorisk tidskrift/Journal of Art History 76 (2007): 27-39.
• Patrizio, Andrew. The Ecological Eye: Assembling an Ecocritical Art History. Manchester: Manchester University, 2019.
• Petersen, Anne Ring. “Global art history: a view from the North.” Journal of Aesthetics and Culture 7, no. 1 (2015). https://doi.org/10.3402/jac.v7.28154.
• Piotrowski, Piotr. Art and Democracy in Post-Communist Europe. Translated by Anna Brzyski. London: Reaktion Books, 2012.
• Piotrowski, Piotr. Globalne ujęcie sztuki Europy Wschodniej. Poznań: Rebis, 2016.
• Piotrowski, Piotr. “Why Were There No Great Pop Art Curatorial Projects in Eastern Europe in the 1960s?” Baltic Worlds. Published electronically 19.11.2015. Accessed 28.07.2022. https://balticworlds.com/why-were-there-no-great-pop-art-curatorial-projects-in-eastern-europe-in-the-1960s/?s=moderna%20museet.
• Potocka, Maria Anna. “Europejski Rauschenberg/ The European Rauschenberg.” In Władysław Hasior. Europejski Rauschenberg? / The European Rauschenberg? Edited by Józef Chrobak, 8–13. Kraków: MOCAK, 2014.
• Raińska, Marzanna. “Kalendarium.” In Hasior. Powrót, 87–136. Nowy Sącz: MCK Sokół, 2010/2011.
• Robertsson, Gunn-Britt. “På språng mot solen.” Kulturdelen.nu. Published electronically 2.11.2010. Accessed 28.07.2022. https://kulturdelen.nu/2010/hasior-hastarna/,.
• “Solspann by Wladyslaw Hasior.” Accessed 28.07.2022. https://www.sodertaljekonsthall.se/en/.
• Sowa, Jan. Fantomowe ciało króla. Peryferyjne zmagania z nowoczesną formą. Kraków: Universitas, 2011.
• Tatar, Ewa. “Lessons in Imagination and Sensitivity.” Not Fot / Władysław Hasior’s Photo Notebook Vol. 3: Ziemia. Materia. Rytm / Earth. Matter. Rhythm (2017): 73–75.
• Timár, Katalin. “Is Your Pop Our Pop? The History of Art as Self-Colonizing Tool.” ArtMargins. Published electronically 16.03.2002. Accessed 28.07.2022. https://artmargins.com/is-your-pop-our-pop-the-history-of-art-as-a-self-colonizing-tool/.
• Żakiewicz, Anna. “Between Tradition and the Present: on the Art of Hasior.” In Hasior. Powrót, 44–54. Nowy Sącz: MCK Sokół, 2010/2011.
• Żakiewicz, Anna. Władysław Hasior. Warszawa: MNW, 2005.

Identifiers

DOI

10.32020/ArtandDoc/27/2022/7

Biblioteka Nauki

2170571