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2023 | 29 | 213-232

Article title

Differences between Visual Performance and Theatre. The Question of Genre Identity

Authors

Content

Title variants

Languages of publication

Abstracts

Year

Issue

29

Pages

213-232

Physical description

Dates

published
2023

Contributors

author
  • Silesian University in Opava

References

  • Adamová, Marie. Terra histrionis: Exploring the art of acting. MA thesis, Prague: AMU, 2016.
  • Auslander, Philip, ed. Performance: Critical Concepts in Literary and Cultural Studies Vol. 2. London: Routledge, 2003.
  • Auslander, Philip, ”The Performativity of Performance Documentation.” Accessed June 10, 2022. https://www.researchgate.net/publication/237818132.
  • Battcock, Gregory and Robert Nickas, eds. The Art of performance. A Critical Anthology. New York: E.P. Dutton, 1984.
  • Bishop, Claire, “Black Box, White Cube, Gray Zone: Dance Exhibitions and Audience Attention.” TDR: The Drama Review 62, no. 2 (2018): 22-42.
  • Bishop, Claire. Delegated Performance: Outsourcing Authenticity. CUNY Academic Works 2012. Accessed March 31, 2021. https://monoskop.org/images/f/f3/Bishop_Claire_2012_Delegated_Performance_Outsourcing_Authenticity.pdf.
  • Buddeus, Hana. Representation without reproduction? Photography and performance in Czech art of the 1970s. Prague: UMPRUM, 2017.
  • Costinas, Cosmin and Ana Janevski, eds. Is the Living Body the Last Thing Left Alive? The New Performance Turn, Its Histories and Its Institution. Berlin: Sternberg Press, 2015.
  • Chalmers, Jessica. “Marina Abramović and the Reperformance of Authenticity.” Accessed June 10, 2022. https://www.academia.edu/4313053/On_Marina_Abramovic_and_the_Reperformance_of_Authenticity.
  • Dempsey, Amy. Art styles, schools and movements. Prague: Slovart, 2002.
  • Eynat-Confino, Irene. “Performance Space and Designed Authenticity: From a Non Sequitur to a Real Make-Believe?” Accessed June 10, 2022. https://www.academia.edu/24427386/Performance_Space_and_Designed_Authenticity_From_a_Non_ Sequitur_to_a_Real_Make_Believe.
  • Fischer-Lichte, Erika. Aesthetics of performativity. Mníšek pod Brdy: Na konári, 2011.
  • Fischer-Lichte, Erika, Minou Arjomand, and Ramona Mosse. The Routledge Introduction to Theatre and Performance Studies. London & New York: Routledge, 2014.
  • Gajdoš, Július. From staging to installation, from acting to performance. Prague: KANT, 2010.
  • Goffman, Erving. We all play theatre. Prague: Studio Ypsilon Publishing House, 1999.
  • Goldberg, RoseLee. Performance Art: From Futurism to the Present. London: Thames and Hudson, 2001.
  • Grau, Donatien. “Lady Gaga.” Accessed March 1, 2021. https://flash---art.com/article/lady-gaga/#.
  • Humprey, Caroline and James Laidlaw. The Archetypal Actions of Ritual. A Theory of Ritual Illustrated by the Jain Rite of Worship. Oxford: Clarendon Press, 1994.
  • Havlík, Vladimír, ed. Action and reaction: performative aspects in contemporary art and art education. Olomouc: Palacký University, 2015.
  • Hesemans, Hanna. “Why we should not try to understand performance art.” University College Maastricht, 2017. Accessed November 13, 2019. https://www.academia.edu/33662364/Why_we_should_not_try_to_understand_performance_art_-_ About_the_ritualistic_aspects_of_performance_art_meaninglessness_and_rules.
  • Horsáková, Monika and Irena Kocí, eds. Transformations of dramaturgy 5. Opava: Silesian University in Opava, 2021.
  • Hylland Eriksen, Thomas. Social and cultural anthropology: kinship, nationality, ritual. Prague: Portál, 2008.
  • Hylland Eriksen, Thomas. The tyranny of the moment: Fast and slow time in the information age. Brno: Doplněk, 2005.
  • Jones, Amelia. “‘Presence’ in Absentia: Experiencing Performance as Documentation.” Art Journal vol. 56/4 (1997): 11-18.
  • Jovićević, Aleksandra and Ana Vujanović. Introduction to performative studies. Bratislava: Theatre Institute, 2012.
  • Kershaw, Baz and Helen Nicholson. Research Methods in Theatre and Performance. Edinburgh University Press, 2011.
  • Koubová, Alice and Eliška Kubartová, eds. Terrains of performance. Prague: AMU Publishing House, 2021.
  • Krtička, Jan, Jan Prošek, and Hanna Buddeus, eds. Documentation of art. Ústínad Labem: Faculty of Art and Design, Jan Evangelista Purkyně University, 2013.
  • Lakoff, George and Mark Johnson. Metaphors We Live By. Brno: Host, 2002.
  • Lehmann, Hans Thies. Postdramatic theatre. Bratislava: Theatre Institute, 2007.
  • Neznal, Vít. What is theatre? The “media” tradition of Czech theatre theory in the context of the art-reality dichotomy.PhD diss., Prague: DAMU, 2017.
  • Orlová, Jana. “How (not) to exhibit performance art.” Accesssed March 23, 2022. https://artalk.cz/2022/03/23/jaknevystavovat-performance-art/.
  • Orlová, Jana. Visual performance and theatre. PhD diss, Prague: Academy of Fine Arts, 2021.
  • O'Toole, Emer, Andrea Pelegri Kristić, and Stuart Young, eds. Ethical Exchanges in Translation, Adaptation and Dramaturgy. Leiden – Boston: Brill – Rodopi, 2017.
  • Písaříková, Jana. Archives and documentation of performance art: searching for a path between history and myth. PhD diss., Brno: FaVU VUT 2016.
  • Pavlovský, Petr. Basic theatre concepts: Theatrological dictionary. Prague: Libri, National Theatre, 2004.
  • Roubal, Jan, Josef Kovalčuk, and Jan Motal, eds. Theatre as an unthrown ladder: texts on original, alternative and studio theatre. Brno: Janáček Academy of Performing Arts, 2015.
  • Schechner, Richard. Performance Studies. London: Routledge, 2002.
  • Staal, Fritz. “The meaninglessness of ritual.” Numen vol. 26, no. 1 (1979): 2-22.
  • Vojtěchovský, Miroslav, Jaroslav Vostrý. Image and story: scenicity in visual and dramatic art. Prague: KANT for AMU, 2008.
  • Zet, Martin. Performance for myself. Brno: ESKORT Gallery, 2006.

Document Type

Publication order reference

Identifiers

Biblioteka Nauki
24546682

YADDA identifier

bwmeta1.element.ojs-doi-10_32020_ArtandDoc_29_2023_21
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