Dźwiękowe osobliwości

• Authors: Ewa Schreiber

Title variants

EN

Sonic singularities

Abstracts

EN

The article introduces the most important philosophical and musicological contexts of Jakub Momro’s book The ear has no eyelid. Sonic primordial scenes. The author of the book places the music and sonic practices of late modernity into an extensive network of philosophical concepts, especially those related to the philosophy of deconstruction and psychoanalysis. In this way he shows the relationship between music and the issues of time, voice, materiality and corporeality, sound and vision, freedom and determinism, trauma and desire. The text also includes a reconstruction of some theses on the ephemeral and performative nature of sound and on listening as the domain of freedom. At the end conclusions are presented about the importance of the book in the context of contemporary musical thought.

Keywords

EN

Jakub Momro; late modernity; music; sound; listening; philosophy

• Publisher: Instytut im. Jerzego Grotowskiego we Wrocławiu
• Journal: Didaskalia. Gazeta Teatralna
• Year: 2022
• Issue: 167
• Pages: 187-208

Dates

published

2022

Contributors

author

Ewa Schreiber

• Uniwersytet im. Adama Mickiewicza w Poznaniu

References

• Abbate, Carolyn, Music – Drastic or Gnostic, „Critical Inquiry” 2004 t. 30.
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• McClary, Susan, Terminal Prestige: The Case of Avant-Garde Music Composition, „Cultural Critique” 1989 t. 12, Discursive Strategies and the Economy of Prestige.
• Momro, Jakub, Widmontologie nowoczesności. Genezy, Instytut Badań Literackich PAN, Warszawa 2014.
• Scherzinger, Martin, The Executing Machine. Deleuze, Boulez and the Politics of Desire, [w:] The Dark Precursor. Deleuze and Artistic Research, red. P. de Assis, P. Giudici, t. 1 Sound and Writing, Leuven University Press, Leuven 2017.

Identifiers

DOI

10.34762/eva6-qt82

Biblioteka Nauki

2031427