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2022 | English Issue 2022 | 160-196

Article title

Work Is Always Elsewhere: Instituent Practices and the International Performing Arts Field

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Content

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Abstracts

EN
The article, which is a revised and expanded version of a chapter of the doctoral dissertation Devising Institutions. Institutional practices in contemporary performing arts, applies institutional critique as a perspective for reflection on modes of production and distribution of the international performing arts circuit. Based on an analysis of hypermobility as the prevailing political condition among artists and artworkers active in this field, the text introduces the notion of situated instituent practices as a tool to reflect those artistic approaches that challenge the prevailing modes of production and distribution. The examples of works by Sarah Vanhee and Benjamin Verdonck are presented as a gesture of ‘active withdrawal’ from the dominating working modes and rhythms that opens up for a political potential of the process of ‘home making’.

Year

Pages

160-196

Physical description

Dates

published
2022

References

  • Ahmed, Sara, ‘Home and away. Narratives of migration and estrangement’, International Journal of Cultural Studies 1999 no. 3.
  • Haraway, Donna, Staying with the Trouble. Making Kin in the Chthulucene, Duke University Press, Durham 2016.
  • Haraway, Donna, ‘Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective’, Feminist Studies, 1988 vol. 14, no. 3, https://www.jstor.org/stable/3178066 [accessed:19.11.2022].
  • Keil, Marta, ‘EDN Atelier: Creation of Dance Work. Report’, https://www.ednetwork.eu/uploads/documents/75/ EDN Atelier Creation of Dance Work designed (1).pdf [accessed: 25.11.2022].
  • Keil, Marta, ‘The Institutional Practices of a Festival’, Polish Theatre Journal 2017 no. 1-2, https://www.polishtheatrejournal.com/index.php/ptj/article/view/98 [accessed: 25.11.2022].
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  • Puig de la Bellacasa, Maria, Matters of Care. Speculative Ethics in More Than Human Worlds, University of Minnesota Press, Minneapolis – London 2017.
  • Ratajczak, Mikołaj; Sowa, Jan, ‘Słownik pojęć’, [in] Hardt, Michael, Negri, Antonio, Rzecz-pospolita. Poza własność prywatną i dobro publiczne (Commonwealth), trans. “Praktyka Teoretyczna”, korporacja ha!art, Kraków 2012.
  • Raunig, Gerald, ‘Instituent Practices. Fleeing, Instituting ,Transforming’, 2006, https://transversal.at/transversal/0106/raunig/en [accessed: 10.11.2022].
  • Raunig, Gerald, ‘The Double Criticism of Parrhesia. Answering the Question “What is a Progressive (Art) Institution?”’, 2004, https://transversal.at/transversal/0504/raunig/en [accessed: 10.11.2022].
  • Rodríguez, Lázaro Gabino, ‘Open Letter to Jérôme Bel’, http://somosreclamos.blogspot.com/2021/02/open-letter-to-jerome-bell.ht… [accessed: 28.11.2022].
  • Vanhee, Sarah; Van Imschot, Tom, ‘The Need for a Different Language’, Re/framing the International, 2018 no. 2, https://www.kunsten.be/en/publications/re-framing-the-international-2/ [accessed: 15.11.2022].
  • Vanhee, Sarah, ‘Bodies of knowledge: how we can learn more from each other’, Rekto: verso, 22.10.2019, https://www.rektoverso.be/artikel/bodies-of-knowledge-how-we-can-learn-… [accessed: 10.11.2022].
  • Verdonck, Benjamin, ‘Defining the contours’, Re/framing the International 2018 no. 3, Flanders Arts Institute, Brussels, https://www.kunsten.be/en/publications/re-framing-the-international-3/ [accessed: 10.11.2022].
  • Verdonck, Benjamin, ‘Wereldtournee in Antwerpen’, 2020, https://toneelhuis.be/en/projects/wereldtournee-in-antwerpen/ [accessed:15.11.2022].
  • Vevar, Rok, ‘How My Life Turned into a Festival’, Anti-Jargon, 09.06.2010, http://www.antijargon.tkh-generator.net/2010/06/09/life-festival/ [accessed: 12.11.2022].
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Document Type

Publication order reference

Identifiers

Biblioteka Nauki
2164330

YADDA identifier

bwmeta1.element.ojs-doi-10_34762_js5n-yg98
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