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2020 | 64 | 4 | 74-96

Article title

Figuracja disco polo: ilustracja muzyczna polskiej transformacji

Content

Title variants

EN
The Figuration of Disco Polo: A Musical Illustration of Poland’s Transformation

Languages of publication

PL

Abstracts

PL
This article attempts a sociological analysis of a specific musical trend – disco polo – through the prism of the figuration theory proposed by Norbert Elias. Street music of the 1990s was an extremely accurate musical illustration of the period of systemic transformations in Poland, because disco polo’s characteristic elements (e.g., kitsch, impermanence, and banality, as well as optimism, a sense of community, and freshness) were combined with social feelings and attitudes toward the rapidly changing reality. Disco polo documented the social life of the time, as is visible in its symbolic layer as well as in its purely musical arrangement: it was the hallmark of a generation.

Year

Volume

64

Issue

4

Pages

74-96

Physical description

Dates

published
2020-12-29

Contributors

  • Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie

References

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.ojs-doi-10_35757_KiS_2020_64_4_3
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