About Adapting Conrad’s Prose to Film

• Authors: Joanna Skolik

Abstracts

EN

On the example of Apocalypse Now by F. F. Coppola, Heart of Darkness by N. Roeg, The Duellists by R. Scott, The Shadow Line by A. Wajda, and Secret Sharer by P. Fudakowski, I would like to show that Joseph Conrad’s prose is a cinematic trap for film directors. This being so, I attempt to answer the question as to why it is so difficult to make a film of something that is so cinematic, when it is being read, and why film adaptations that closely follow Conrad’s narratives are less Conradian than films which are “merely” inspired by Conrad’s works.

Keywords

EN

Conrad; film adaptation; semantic dominant; “The Secret Sharer”; Apocalypse Now

• Publisher: Uniwersytet Jagielloński
• Journal: Yearbook of Conrad Studies
• Year: 2019
• Volume: 14
• Pages: 93-107

Dates

published

2019

Contributors

author

Joanna Skolik

• Uniwersytet Opolski

• https://orcid.org/0000000192187535

References

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Identifiers

DOI

10.4467/20843941YC.15.015.4921

Biblioteka Nauki

2188124