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2020 | 2(45) | 5-24

Article title

Francuska waltornistyka a adaptacja mechanizmów wentylowych w XIX wieku

Content

Title variants

EN
The French Art of the Natural Horn Playing and the Adaptation of Valve Mechanisms in the 19th Century

Languages of publication

Abstracts

EN
The article is an attempt at identifying issues related to the problem of the adaptation of valve mechanisms in Parisian orchestras and Conservatory. Opinions and postulates of supporters and opponents are being presented, as well as the concepts of combining the valve instrument with the use of the natural horn playing technique. In this context, the perspective of natural horn players, who contributed to the significant delay in the adaptation of valve horns in Paris, are being discussed. Further parts of the text explain the construction of natural horns commonly used in the discussed period in France (cor solo and cor d’orchestre), as well as various issues related to the specific playing technique. The differences between cor alto and cor basse are being examined as well as the concept of cor mixte proposed by Frédéric Duvernoy.

Year

Issue

Pages

5-24

Physical description

Dates

published
2020

Contributors

  • Uniwersytet im. Adama Mickiewicza w Poznaniu

References

  • Baines A., Brass Instruments, Their History and Development, Faber & Faber, London 1976.
  • Berlioz H., Grand traité d’instrumentation et d’orchestration modernes, Schonenberger, Paris 1843.
  • Berlioz H., A treatise on modern instrumentation and orchestration, tłum. M. Cowden Clarke, red. J. Bennett, Novello, Ewer & Co.,
  • London–New York 1882.
  • Coar B., A Critical Study of the Nineteenth-Century Horn Virtuosi in France, B. Coar, DeKalb (IL) 1952.
  • Dauprat L.-F., Le professeur de musique, ou, L’enseignement de cet art. Mis a la portée de chacun au moyen d’un instrument a sons fixes et du metronome de Maelzel, A. Quinzard, Paris 1857.
  • Dauprat L.-F., Méthode de Cor-alto et Cor-basse, Zetter, Paris 1824.
  • Domnich H., Méthode de Premier et de Second Cor, Le Roy, Paris 1808.
  • Ericson J., Dauprat on the Tone of the Natural Horn. The aesthetics of the natural horn, http://www.public.asu.edu/~jqerics/dauprat_tone. htm [dostęp: 1.06.2020].
  • Ericson J., Early Valve Designs, http://www.public.asu.edu/~jqerics/earlval.htm [dostęp: 1.06.2020].
  • Farkas P., The Art of French Horn Playing, Summy-Birchard, Evanston (IL) 1956.
  • Gallay, J.-F., Méthode pour le Cor op. 54, Henry Lemoine & Cie., Paris [1845].
  • Humphries J., The Early Horn. A Practical Guide, Cambridge University Press, Cambridge 2000.
  • Morley-Pegge R., The French Horn. Some Notes on the Evolution of the Instrument and of Its Technique, wyd. 2, E. Benn, London 1973.
  • Montagu J., Horns and Trumpets of the World. An Illustrated Guide, Rowman & Littlefield, Lanham (MD)–Plymouth 2014.
  • Mongrédien J., French Music from Enlightenment to Romanticism 1789–1830, tłum. S. Frémaux, Amadeus Press, Portland (OR) 1996.
  • Rozwadowska A., Życie i twórczość Jacquesa-Françoisa Gallay’ego, praca magisterska, Instytut Muzykologii UAM, Poznań 2018.

Document Type

Publication order reference

Identifiers

Biblioteka Nauki
2154763

YADDA identifier

bwmeta1.element.ojs-doi-10_4467_23537094KMMUJ_20_003_12530
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