Tradycje muzyczne Żydów aszkenazyjskich a Radical Jewish Culture: definicje i treści dawnej i współczesnej muzyki żydowskiej

• Authors: Luiza Zapiór

Title variants

EN

The Music Traditions of the Ashkenazi Jews and Radical Jewish Culture: A Brief Outline of the Definitions and Content of Jewish Music in the Past and Nowadays

Abstracts

EN

The main purpose of the article is to describe John Zorn’s approach to klezmer music and Jewish music tradition in general. The text was split into shorter paragraphs. The first part of the article is dedicated to providing an overview of the problems concerning the definition of Jewish music. The second part focuses on analysing klezmer motifs in John Zorn’s selected works and Jewish symbols present in the visual layer connected with his works. The last paragraph contains a summary and conclusions.

Keywords

EN

Jewish music; instrumental music; John Zorn; Radical Jewish Culture; contemporary music

• Publisher: Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
• Journal: Kwartalnik Młodych Muzykologów UJ
• Year: 2020
• Issue: 4(47)
• Pages: 215-228

Dates

published

2020

Contributors

author

Luiza Zapiór

• Uniwersytet Warszawski

• https://orcid.org/0000000317754880

References

• Barzel T., New York Noise: Radical Jewish Music and The Downtown Scene, Indiana UP, Bloomington 2015.
• Bohlman P.V., Muzyka żydowska i nowoczesność, tłum. Z. Skowron, „Przegląd Muzykologiczny” 2006, nr 6, s. 185–207.
• Brackett J., John Zorn: Tradition and Transgression, Indiana UP, Bloomington 2008.
• Cohen J., Whither Jewish Music? Jewish Studies, Music Scholarship, and the Tilt Between Seminary and University, Cambridge UP, Cambridge 2008.
• Cuthbert M., Free improvisation: John Zorn and the Construction of Jewish Identity through Music, w: Studies in Jewish Musical Traditions. Insights from the Harvard Collection of Judaica Sound Recordings, red. K.K. Shelemay, Harvard College Library, Cambridge 2001.
• Edelman M., Discovering Jewish Music, The Jewish Publication Society, Philadelphia 2003.
• Knapp A., Conceptualizing „Jewish Art Music” While Standing on One Leg: A Scholar’s Dilemma, „Journal of the American Musicological Society” 2012, r. 65, nr 2, s. 557–592.
• Kim P. C., Transmission of Music in the Hebrew Tradition: Learning from the Songs of the Synagogue, „The Bulletin of Historical Research in Music Education” 1997, r. 19, nr 1, s. 40–51.
• Rogovoy S., The Essential Klezmer. A Music Lover’s Guide to Jewish Roots and Soul Music, from the Old World and the Jazz Age to the Downtown Avant-garde, Algonquin Books of Chapel Hill, New York 2000.
• Zorn J., Scene by scene, rozm. L. Blumenfeld, „Jazziz” 1999, nr 8, s. 12–13.
• Schray M., Shofar: Ha-Huncvot (Kilogramm, 2013) ****, 08.07.2013, https://www.freejazzblog.org/2013/07/shofar-ha-huncvot-kilogramm-2013.html [dostęp: 12.06.2020].
• Sztyma T., Duma, zabawa i milczenie, rozm. I. Świerkowska, https://www.dwutygodnik.com/artykul/6988-duma-zabawa-i-milczenie.html?print=1 [dostęp: 05.08.2019].
• Zorn J., Radical Jewish Culture, http://www.tzadik.com/rjc_info.html [dostęp: 22.06.2019].

Identifiers

DOI

10.4467/23537094KMMUJ.20.024.13210

Biblioteka Nauki

2176092