The Reception of American Jazz in Japan: An Outline of Issues

• Authors: Olga Kwaczyńska

Abstracts

EN

The following article presents the history of Japanese jazz, from the first musical contacts to its contemporary successes and problems of the jazz music market. An important role in the development and evolution of jazz in Japan (even before the post-war US occupation of that country) was played by the presence of American military forces in the Philippines, which, as an American-dependent territory, maintained cultural contacts with the United States, where jazz had been born at the beginning of the 20th century and became one of the most popular forms of music. Apart from contact with Filipino musicians, who were the first source of jazz education for the Japanese, the rise of jazz cafés (jazzu-kissa) was also important for the development of jazz in the Land of the Cherry Blossom. The cafés played a huge role in generating interest in jazz and shaping musical tastes. The article also shows the influence of jazz on the formation of a modern, American-type lifestyle among the Japanese middle-class. In addition, the article discusses the complex issue of the authenticity of Japanese jazz in relation to American jazz and the role of world-famous Japanese musicians, such as Toshiko Akiyoshi, in overcoming stereotypes. The aim of the article is to demonstrate the universality and at the same time the local character of contemporary Japanese jazz as well as the distinguishing features of jazz in Japan.

Keywords

EN

jazz; Japanese jazz; jazzu-kissa; local jazz scene; Japanese culture; American; culture; Americanisation; Toshiko Akiyoshi

• Publisher: Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
• Journal: Kwartalnik Młodych Muzykologów UJ
• Year: 2020
• Issue: 1(44) ENG
• Pages: 33-46

Dates

published

2020

Contributors

author

Olga Kwaczyńska

• The Jagiellonian University in Kraków

References

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Identifiers

DOI

10.4467/23537094KMMUJ.20.027.13900

Biblioteka Nauki

2154764