Sensory Landscapes

• Authors: Ivan Juarez

Title variants

PL

Sensory Landscapes. Krajobrazy sensoryczne

Abstracts

PL

Mając na celu wyeksponowanie szerokiej perspektywy dyscyplin środowiskowych, artykuł opisuje serię refleksji, procesów i projektów artystycznych skoncentrowanych na wrażliwym podejściu do środowiska poprzez połączenie doświadczeń cielesnych i świadomości krajobrazu. Sensory Landscapes to autorska praktyka badawcza, której celem jest uwrażliwienie na środowisko naturalne i ludzkie oraz zrozumienie go poprzez konceptualizację i odkrycie artystycznego zbliżenia się do krajobrazu poprzez zmysły i doświadczenia. W trakcie tego procesu przewodząca nić splata różnorodne geografie ze zmysłowym doświadczeniem dotykania, wąchania, obserwowania, smakowania i słuchania. W artykule eksplorowane są różne sposoby myślenia i działania, przeplatające się dyscypliny, media i miejsca. Jednocześnie artykuł ma na celu postawienie serii pytań, które poszerzają rozumienie koncepcji aproksymacji miejsca i krajobrazu poprzez dialog między praktyką artystyczną, krytycznym myśleniem i nastawieniem na środowisko. Z tej perspektywy Sensory Landscapes to rama konceptualna umożliwiająca badanie percepcji jako medium poznawania kontekstu, łącząca materialne i niematerialne koncepcje, które identyfikują terytorium – zapachy, tekstury, smaki, dźwięki, sceny – jako doświadczenia.

EN

The purpose of this article is to provide a wider range of environmental disciplines by highlighting a series of reflections, processes and artistic projects for a sensitive approach to our environment involving a combination of bodily experience and landscape awareness. Sensory Landscapes are based on practical research into progressive action designed to raise awareness and increase our understanding of the natural and human environment through the conception and results of artistic approaches to landscape using senses and experiences. As part of the process, a conductive thread weaves diverse geographies with the sensory experience of touching, smelling, observing, tasting and listening. Throughout this article, various ways of thinking and acting are explored, interweaving disciplines, media and places. At the same time, this article raises a series of questions that broaden the understanding of site-approximation and landscape concepts through a dialogue between artistic practice, critical thinking and environmental mindset. With this in mind, Sensory Landscapes is designed to be a conceptual framework for exploring various perceptions as a medium for approaching a given scenario, connecting tangible and intangible concepts to transform sensual concepts - smells, textures, tastes, sounds, scenes - into experiences.

Keywords

EN

Senses; Perceptions; Sensory interventions; Art Interventions; Landscape; Site-Specific; Environmental Art; Artistic Practice; Multidiscipline

PL

zmysły; postrzeganie; interwencje sensoryczne; interwencje artystyczne; krajobraz; site-specific; sztuka środowiskowa; praktyka artystyczna; multidyscyplinarność

• Publisher: Akademia Sztuk Pięknych im. Jana Matejki w Krakowie
• Journal: inAW Journal – Multidisciplinary Academic magazine
• Year: 2021
• Issue: 2
• Pages: 82-106

Dates

published

2021

Contributors

author

Ivan Juarez

• Szkoła doktorska Akademii Sztuk Pięknych im. Eugeniusza Gepperta we Wrocławiu

References

• Barragan L., Pritzker Prize Acceptance Letter, The Pritzker Architecture Prize, 1980, The Hyatt Foundation, http://www.pritzkerprize.com/…/1980_Acceptance_Speech [accessed:15/11/2021].
• Choudhary M.P., Chauhan, G.S., Kushwah, Y.K., Environmental Degradation. Causes, Impacts and Mitigation, [w:] National Seminar on Recent Advancements in Protection of Environment and its Management Issues, Kota, Rajasthan 2015.
• Clément G., El jardín en movimiento, Barcelona 2012.
• EAT Foundation, http://eatforum.org/person/line-gordon [accessed: 17/11/2021].
• Environmental Sound Artists: In Their Own Words, ed. F. Bianchi, Oxford University Press, USA 2016.
• Farm Cultural Park, http:farmculturalpark.com [accessed: 17/11/2021].
• Goethe J.W., Römische Elegien V, 1790–1795.
• Haddad E.G., Christian Norberg Schulz and the Project of Phenomenology in Architecture, „Architecture Theory Review”, 15 (2010), no 1, pp. 88–101.
• Hedfors P., Site Soundscapes. Landscape architecture in the light of sound, PhD Thesis dissertation, Uppsala 2003.
• Ingold T., Against soundscape, [in:] Autumn Leaves: Sound and the Environment in Artistic Practice, ed. E. Carlyle, Paris 2007, pp.10–13.
• Jivén G., Larkham P.J., Sense of Place, Authenticity and Character. A Commentary, „Journal of Urban Design”, 8 (2003), no 1, pp. 67–81.
• KAIR, in Kamiyama, https://www.in-kamiyama.jp [accessed: 14/11/2021].
• Karanika M., Haptic Space and Bodily Expressions. A Bi-directional Relation of Affect, [in:] Symposium on Mental States, Emotions and their Embodiment The Society for the Study of Artificial Intelligence and Simulation of Behaviour (AISB) Convention, UK, 2009 http://www.aisb.org.uk/convention/.pdf [accessed: 12/04/2016.].
• Kikuchi T., Contribution of senses of foot for identification of shape, elasticity and tilt angle of ground, [in:] 23rd International Conference on Artificial Reality and Telexistence (ICAT), Tokio 2013, pp. 61–66.
• Lynch K., The Image of the City, Cambridge, MA 1960.
• Norberg-Schulz Ch., Genius Loci: Towards a Phenomenology of Architecture, New York 1980.
• Oudolf P., Kingsbury N., Planting Design: Gardens in Time and Space, Timber Press, UK, 2005.
• Pallasmaa J., Hapticity and Time. Notes on Fragile Architecture, [in:] Encounters. Architectural essays, ed. J. Pallasmaa, P. MacKeith, R. Oy, Helsinki 2005.
• Pallasmaa J., Hapticity and Time. Notes on Fragile Architecture, „Architectural Review”, 207 (2000), pp. 78–84.
• Pallasmaa J., The eyes of the Skin. Architecture and the Senses, Wiley Academy, Great Britain 1994.
• Pistrick E., Isnart C., Landscapes, soundscapes, mindscapes. Introduction, „Etnográfica. Centro em Rede de Investigação em Antropologia”, vol. 17 (2013), no 3, pp. 503–513, http://etnografica.revues.org/3213 [accessed: 16/04/2016].
• Pope A., Epistle IV, to Richard Boyle Earl of Burlington, 1731, pp. 57–60.
• Porteous J.D., Environmental aesthetics: ideas, politics and planning Routledge Academic, London 1996.
• Schulz-Dornburg J., Art and Architecture. New Affinities, Barcelona 2000.
• Tanada, 棚田, http: japanese-wiki-corpus.org/history/Tanada [accessed: 15/11/2021].
• The Health site, foot senses and walking on grass, https://www.thehealthsite.com/diseases-conditions/top-5-reasons-to-walk-on-grass-early-in-the-morning-p214-122283/ [accessed: 20/11/2021].
• Tolaas S., The city from the perpective of the nose, [in:] Ecological Urbanism, red. M. Mostafavi, G. Doherty, Zürich 2009.
• Tuan Y.-F., Place. An experiential perspective, „The Geographical Review”, 65 (1975), no 2, pp. 151–165.
• Utzon Center, Can Lis house, https://utzoncenter.dk/en/content/can-lis [accessed: 17/11/2021].
• Viljoen A., Howe K., Continuous Productive Urban Landscapes (CPULs): Designing Urban Agriculture for Sustainable Cities, Architectural Press, UK 2005.

Identifiers

DOI

10.52652/inaw.85

Biblioteka Nauki

2147634