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2023 | XIV(2 (43)) | 295-307

Article title

The power of imagination in The Red Shoes

Authors

Content

Title variants

Languages of publication

Abstracts

EN
In the 1948 movie The Red Shoes, the power of imagination and artistic vocation are metaphorically represented as a pair of red dancing shoes. Just as in Andersen’s fable, the shoes are enchanted: they can open up new horizons and possibilities of existence and artistic expression to the one that wears them. But their inexhaustible power can also possess her, demand complete devotion, or even dance her to death. A hermeneutic reading of the three key scenes from the movie inspires a reflection on the dialectics of the power of imagination and its productive as well as destructive potential.

Year

Volume

Pages

295-307

Physical description

Dates

published
2023

Contributors

  • University of Białystok, Poland

References

  • Andersen, H. Ch. (1997). The Red Shoes, Watertown: Charlesbridge Publishing
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  • Diamond, D. (2016) The Red Shoes: A fairy tale within a ballet within a film. Psychoanalytic Psychology, 33, 104-119.
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  • Kant, I. (2007). Anthropology from a Pragmatic Point of View. In Louden R. B. (Ed. and trans.). Anthropology History and Education (227-429). Cambridge: Cambridge University Press.
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  • Makkreel, Rudolf A. (1990). Imagination and Interpretation in Kant: The Hermeneutical Import of the Critique of Judgment. Chicago: University of Chicago Press.
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Document Type

Publication order reference

Identifiers

Biblioteka Nauki
36806908

YADDA identifier

bwmeta1.element.ojs-doi-10_5604_01_3001_0053_9099
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