Творчество Марины Цветаевой в контексте гендерных исследований

• Authors: Agnieszka Hrynyk

Title variants

PL

Twórczość Mariny Cwietajewej w kontekście gender studies

EN

Marina Tsvetaeva’s oeuvre in the context of gender studies

• Languages of publication: RU

Abstracts

RU

This article is an attempt to look at Marina Tsvetaeva’s literary output in the context of gender studies. The following aspects are briefly discussed: a woman as a writer, a womanartist defending her right to create, a woman telling/writing her story, gender performance, contravention of the gender role, and the apocryphal writing strategy. The basic material for the text are: On a Red Steed (1921), The Tsar-Maiden (1922), A Hero of Labour (1925).

EN

This article is an attempt to look at Marina Tsvetaeva’s literary output in the context of gender studies. The following aspects are briefly discussed: a woman as a writer, a womanartist defending her right to create, a woman telling/writing her story, gender performance, contravention of the gender role, and the apocryphal writing strategy. The basic material for the text are: On a Red Steed (1921), The Tsar-Maiden (1922), A Hero of Labour (1925).

PL

This article is an attempt to look at Marina Tsvetaeva’s literary output in the context of gender studies. The following aspects are briefly discussed: a woman as a writer, a womanartist defending her right to create, a woman telling/writing her story, gender performance, contravention of the gender role, and the apocryphal writing strategy. The basic material for the text are: On a Red Steed (1921), The Tsar-Maiden (1922), A Hero of Labour (1925).

• Publisher: Uniwersytet im. Adama Mickiewicza w Poznaniu
• Journal: Studia Rossica Posnaniensia
• Year: 2012
• Issue: 37
• Pages: 79-86

Dates

published

2018-06-19

Contributors

author

Agnieszka Hrynyk