О морском „voyage de noce” („На «Титанике»” Михаила Зенкевича)

• Authors: Elena Kulikowa

Title variants

PL

О morskiej „voyage de noce” („Nа «Tytaniku»” Мichaiła Zienkiewicza)

EN

On a sea “Voyage de Noce” (Mikhail Zenkevich’s “Оn the «Titanic»”)

• Languages of publication: RU

Abstracts

RU

Yelena Kulikova’s paper “On a Sea Voyage de Noce (M. Zenkevich’s On the «Titanic»)” analyzes Mikhail Zenkevich’s poem about the demise of the famous ship against the background of Dante’s Divine Comedy. The author notes the Acmeist approach in Zenkevich’s description of the Titanic where the object crafted by the hands of a human creator becomes alive. The sea voyage de noce of the protagonists is interrupted by the destruction of the Titanic and turns into a journey through the circles of Hell, while Helène becomes a double for Beatrice and, like Dante’s heroine, saves the protagonist’s soul.

EN

Yelena Kulikova’s paper “On a Sea Voyage de Noce (M. Zenkevich’s On the «Titanic»)” analyzes Mikhail Zenkevich’s poem about the demise of the famous ship against the background of Dante’s Divine Comedy. The author notes the Acmeist approach in Zenkevich’s description of the Titanic where the object crafted by the hands of a human creator becomes alive. The sea voyage de noce of the protagonists is interrupted by the destruction of the Titanic and turns into a journey through the circles of Hell, while Helène becomes a double for Beatrice and, like Dante’s heroine, saves the protagonist’s soul.

PL

Yelena Kulikova’s paper “On a Sea Voyage de Noce (M. Zenkevich’s On the «Titanic»)” analyzes Mikhail Zenkevich’s poem about the demise of the famous ship against the background of Dante’s Divine Comedy. The author notes the Acmeist approach in Zenkevich’s description of the Titanic where the object crafted by the hands of a human creator becomes alive. The sea voyage de noce of the protagonists is interrupted by the destruction of the Titanic and turns into a journey through the circles of Hell, while Helène becomes a double for Beatrice and, like Dante’s heroine, saves the protagonist’s soul.

• Publisher: Uniwersytet im. Adama Mickiewicza w Poznaniu
• Journal: Studia Rossica Posnaniensia
• Year: 2012
• Issue: 37
• Pages: 139-150

Dates

published

2018-06-19

Contributors

author

Elena Kulikowa