Stalker z filmu A. Tarkowskiego jako „jurodiwy” i jako figura twórcy
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The film Stalker by Andrei Tarkovsky is based on the novel Roadside Picnic byStrugatsky Brothers and it presents real and metaphoric travel of the mainprotagonist, Stalker, through the enigmatic Zone in search of ontological true.Stalker’s naivety and complete devotion to his mission resemblesfeeblemindness, that is why he could be described as ¨yurodivy¨, fool for Christaccording to Eastern Orthodox ascetism. In our paper we also analyze Stalker asperformer and artist that dedicates absolutely to his ideals.
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