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Publisher
Akademia Sztuk Pięknych w Gdańsku
Journal
Sztuka i Dokumentacja
Year
2020
Volume
---
Issue
22
Identifiers
Cover
Volume contents
22
article:
CONTINGENCY AND IMPROVISATION IN PERFORMANCE ART FROM THE 1970s TO THE PRESENT
, p. 9-16
article:
ACCIDENT, ARTISTIC INTENT AND ERROR: A STUDY OF (UN) INTENTIONALITY IN POST-WORLD WAR II CROATIAN ART
, p. 17-26
article:
How it works, what it does. Notes on Selected Drawings by Wincenty Dunikowski-Duniko in the Context of the Machine Art Tradition
, p. 27-36
article:
The Point of Collapse, or How to Err is Non-human in Post-Digitality
, p. 37-46
article:
Discovered by Diversity: Error in Art as a Tool of Metaphysical Cognition. Case Studies
, p. 47-55
article:
Korean Avant-garde Performance Art from the 1960s to the 1980s in the Trajectory of the South Korean Democratization
, p. 63-77
article:
Avant-Garde-ness & Experimentation: Renegades as Outliers
, p. 79-87
article:
Happenings-Events-Performances in Poland: Intermingling Histories of Art and Politics
, p. 89-101
article:
Action Art as a Way of Emancipation. Women's Performance Art Practices in the Context of the Totalitarian Regime Based on Communist Ideology and the Young Democracy in Poland
, p. 103-119
article:
Dorothee von Windheim: an Early Wall Work. Strappo ad Asolo 1973 Revisited in the Conz Archive
, p. 123-139
article:
Doświadczenie granic. Izraelska sztuka konceptualna przełomu lat sześćdziesiątych i siedemdziesiątych
, p. 141-150
article:
Leszek Przyjemski: Szaleństwo jako Praktyka Krytyczna. Neoawangarda i Polityka
, p. 153-180
article:
Paweł Petasz. Rys biograficzny
, p. 197-223
article:
Kwadratura Koła Jedynego Polaka: Paweł Petasz (1951–2019)
, p. 262-301
article:
A Ghost of Your Masterpiece. Correspondence Between Pawel Petasz and György Galántai (1978–2007)
, p. 315-365
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