Polichromie cerkwi Narodzenia Najświętszej Marii Panny w Gródku. Próba rozpoznania

• Authors: Joanna Tomalska-Więcek

Title variants

EN

Polychromes of the Church of the Nativity of the Blessed Virgin Mary in Gródek. Recognition Attempt

Abstracts

EN

Byzantine temples were richly equipped with polychromes, mosaics and frescoes, constituting a very carefully thought-out ideological complement to the church. In each artistic era, they were an expression of their times. In the modern era, sometimes there were polychromes referring to Byzantine works or – in Uniate churches – corresponding to the spirit of the era, as in the church in Czyże in Podlasie. In the mid-twentieth century, Adam Stalony-Dobrzański, an artist associated with Krakow, undertook the creation of new polychromes in new Orthodox churches in Podlasie, corresponding to the challenges of contemporary art. The content of the article is, above all, an attempt to introduce this masterpiece in the first place.

Keywords

PL

Podlasie; prawosławie; cerkwie na Podlasiu; cerkiew; Gródek; polichromie; Adam Stalony-Dobrzański

EN

Podlasie; Orthodoxy; Orthodox Churches in Podlasie; Orthodox; Church; Gródek; polychromes; Adam Stalony-Dobrzański

• Publisher: Akademia Supraska
• Journal: Latopisy Akademii Supraskiej
• Year: 2021
• Volume: Obraz - Słowo - Litera
• Issue: 12
• Pages: 283-291

Dates

published

2021

Contributors

author

Joanna Tomalska-Więcek

Identifiers

Biblioteka Nauki

2169992