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Publisher
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Journal
Text Matters: A Journal of Literature, Theory and Culture
Year
2021
Volume
---
Issue
11
Identifiers
Cover
Volume contents
11
article:
“Brought up to Live Double Lives”: Intelligence and Espionage as Literary and Philosophical Figures in Ciaran Carson’s Exchange Place and For All We Know
(
Czemiel G.
), p. 35-50
article:
Shibboleths of Grief: Paul Muldoon’s “The Triumph”
(
Pietrzak W.
), p. 51-63
article:
Northern Ireland’s Interregnum. Anna Burns’s Depiction of a (Post)-Troubles State of (In)security
(
Bartnik R.
), p. 64-83
article:
“. . .delivered from the lie of being truth”: The Affective Force of Disinformation, Stickiness and Dissensus in Randy Ribay’s Patron Saints of Nothing
(
Pacheco V.
,
De Chavez J.
), p. 84-96
article:
Victim-Warriors and Restorers-Heroines in the Post-Apocalyptic World of Mad Max: Fury Road
(
Reglińska-Jemioł A.
), p. 106-118
article:
Aligning with Sociopaths: Character Engagement Strategies in Highsmith’s and Minghella’s Talented Mr. Ripleys
(
Zdunkiewicz L.
), p. 119-136
article:
Mer-Hagography: The Erasure, Return and Resonance of Splash’s Older Mermaid
(
Hayward P.
), p. 139-156
article:
From Romero to Romeo-Shakespeare’s Star-Crossed Lovers Meeting Zombedy in Jonathan Levine’s Warm Bodies
(
Cieślak M.
), p. 157-177
article:
Lacanian Implications of Departures in Zemeckis’s Beowulf from Beowulf, the Old English Epic
(
Birlik N.
), p. 178-185
article:
Hercule Poirot and the Tricky Performers of Stereotypes in Agatha Christie’s Murder on the Orient Express
(
Eckert K.
), p. 186-203
article:
Dystopias in the Realm of Popular Culture: Introducing Elements of Posthuman and Postfeminist Discourse to the Mass Audience Female Readership in Cecelia Ahern’s Roar (2018)
(
Ostalska K.
), p. 204-221
article:
Performing More-Than-Human Corporeal Connections in Kiki Smith’s Sculpture
(
Stępień J.
), p. 225-239
article:
“Never Trust a Survivor”: Historical Trauma, Postmemory and the Armenian Genocide in Kurt Vonnegut’s Bluebeard
(
Piechucka A.
), p. 240-262
article:
“My Monster Self”: Violence and Survival in Margaret Atwood’s Moral Disorder
(
Fakhrshafaie N.
,
Bahremand A.
), p. 263-278
article:
Narrative, Insecure Equilibrium and the Imperative to Understand: A Hermeneutics of Woundedness
(
Hołda M.
), p. 279-298
article:
Tragic Victims of Mania a Potu (“Madness from Drink”): A Study of Literary Nineteenth-Century Female Drunkards
(
Rabinovich I.
), p. 299-318
article:
The Gospel of Divine Mercy in King Lear
(
Grzegorzewska M.
), p. 321-333
article:
Griselda’s Afterlife, or the Relationship between Shakespeare’s The Winter’s Tale, Chaucer’s The Clerk’s Tale and the Tale of Magic
(
Wicher A.
), p. 334-352
article:
Mesmerization with the Lights On: Poe’s “The Facts in the Case of M. Valdemar”
(
Tindol R.
), p. 353-368
article:
One Hundred Frogs in Steve McCaffery’s The Basho Variations
(
Kocot M.
), p. 369-388
article:
Conceptualizing In-Text “Kshetra”: Postcolonial Allahabad’s Cultural Geography in Neelum Saran Gour’s Allahabad Aria and Invisible Ink
(
Das C.
,
Tripathi P.
), p. 389-403
article:
Episodic Literary Movement and Translation: Ideology Embodied in Prefaces
(
Khademnabi M. M.
), p. 404-417
article:
A Review of Agnieszka Łowczanin, A Dark Transfusion: The Polish Literary Response to Early English Gothic: Anna Mostowska Reads Ann Radcliffe (Peter Lang, 2018)
(
Punter D.
), p. 421-424
article:
Thinking about Thinking Nothing: A Review of Nolen Gertz’s Nihilism (MIT P, 2019)
(
Querido P.
), p. 425-427
article:
“Whenever there’s too much technology”: A Review of Don DeLillo’s The Silence (Scribner, 2020)
(
Tardi M.
), p. 428-431
article:
A Review of Natalie Crohn Schmitt, Performing Commedia dell’Arte, 1570–1630 (Routledge, 2019)
(
Morawski P.
), p. 432-436
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