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2014 | 3(21) |

Article title

Modernist Women and Cinema

Authors

Content

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Languages of publication

EN

Abstracts

PL
Matching the ever-increasing numbers of female participants in the commercial venues of department stores and cinemas in the 1920s, modernist women writers enjoyed a new visibility in the intellectual world of cinema journalism. Yet cinema modernism, like literary modernism, was veined by masculinity in the 1920s. The paper argues that modernist women writers, including Colette, H.D., Dorothy Richardson, and Virginia Woolf, created a feminist standpoint. By replacing the prescriptive male gaze with a feminist aesthetics: identifying with stars and women viewers and by describing audiences as socially constituted and gendered.

Year

Issue

Physical description

Dates

published
2014
online
2014-10-23

Contributors

author

References

Document Type

Publication order reference

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YADDA identifier

bwmeta1.element.ojs-issn-2084-3860-year-2014-issue-3_21_-article-5775
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