O dynamizmie obrazów. Podstawowe kategorie estetyczne w koncepcji obrazu Věry Linhartovej

• Authors: Natalia Palich
• Languages of publication: PL

Abstracts

PL

On Dynamism of Images. Primary Aesthetic Categories in Věra Linhartová’s Concept of Image The aim of this paper is to argue the thesis that the theory of art and literature postulated by Věra Linhartová, a Czech writer, art and literary theorist who has been living in exile in France since 1968, is based on two significant categories – spatiality and movement. While both notions are strictly entwined with each other, it is the movement that plays the role of the key denominator in Linhartová’s theoretical and literary works which is pointed out by the author herself in her essay For an Ontology of Exile (1994). Due to a twofold – expository and comparative – character of the study, it is structured as an open and complementary diptych. First of all, drawing on Linhartová’s interpretative and theoretical essays, the analysis strives to retrace her individual and peculiar vision of image. The exposition of Linhartová’s methodological approach serves as the starting point for the comparison and contrast between her theory and methodological concepts concerning the theory of image – mainly Georges Didi-Huberman’s idea of image. The paper concludes with an opening to further analysis and interpretation of Linhartová’s theoretical and literary texts.

Keywords

PL

Věra Linhartová, image, movement, poetry, theory of art, theory of literature, exile, Czech literature in exile

• Publisher: Uniwersytet Jagielloński
• Journal: Studia Litteraria Universitatis Iagellonicae Cracoviensis
• Year: 2013
• Volume: 8
• Issue: 3

Dates

published

2013

online

2015-07-21

Contributors

author

Natalia Palich