Perdus entre l’Ancien Régime et la Restauration. Revenants, politique et réalisme dans 'Le Centenaire' et "Le Colonel Chabert' de Balzac

• Authors: Michele Morselli

Abstracts

EN

The article aims at suggesting the role of the Napoleonic supernatural in Balzac’s youth novel Le Centenaire (1822) as a counter-discourse to – and thus a locus of negotiation for – his later poetics of Realism. The investigation is held through a socio-poetical, close-reading based analysis of the revenant theme in both Le Centenaire and Le Colonel Chabert (1832-1844). First, the well-known political nature of Chabert as a revenant is associated to Bérigheld as his binary opposite: if Chabert embodies the uncanny persistence of the Empire during the Restauration, the centuries-old sorcerer who haunts Tullius, a young Napoleonic general, symbolizes Tullius’ monarchist temptation during the Empire. Nevertheless, the supernatural powers Tullius receives from Béringheld can be associated with the mythological features the Napoleonic soldiers accorded to their Emperor. If Chabert represent a counter-discourse to Tullius’ supernatural abilities, Balzac’s realism in the Comédie humaine can thus be considered as a reversal of the Napoleonic myth, so rooted in the authors early years.

Keywords

EN

Balzac; centenaire; Chabert; realism; supernatural; Napoleon; politics

FR

Balzac; centenaire; Chabert; réalisme; merveilleux; Napoléon; politique

• Publisher: Uniwersytet Gdański
• Journal: Cahiers ERTA
• Year: 2023
• Issue: 34
• Pages: 9-33

Dates

published

2023

Contributors

author

Michele Morselli

• Università di Bologna

• https://orcid.org/0000000231113345

Identifiers

Biblioteka Nauki

20874643