„Czasem prawda nie będzie podobna do wiary”. Uwagi o wyższości prawdopodobieństwa nad prawdą w estetyce oświecenia

• Authors: Roman Dąbrowski
• Languages of publication: PL

Abstracts

PL

The principle of probability was in the period of Enlightenment almost entirely accepted, mainly (although not only) within the framework of the aesthetics of classicism. The above is confirmed by a number of aesthetic and literary statements of that age. Probability which evoked all that was general, that could have happened, was considered more important than the truth, which referred to individual facts. It was connected with the possibility of a certain derogation from the truth accepted by the recipients, so that the work could satisfy the didactic function (e.g. by showing the triumph of virtue), or in order to present things not the way they really are, but the way they might be. Fidelity to the probability principle was also supposed to serve the creation of an illusion in the recipients’ awareness. In various genres, this possibility of the truth modification would look different (for example, talking animals were acceptable only in a fairy tale). However, new aesthetic concepts entail the departure from the probability principle, frequently in the direction of the truth understood in a new manner.

Keywords

PL

• Publisher: Uniwersytet Jagielloński
• Journal: Konteksty Kultury
• Year: 2011
• Volume: 7

Dates

published

2011

online

2011-07-28

Contributors

author

Roman Dąbrowski