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PL EN

Journal

Cahiers ERTA

2014 | 5 | 81-92

Article title

Le dieu de la danse dans Till l’Espiègle de Téo Spychalski

Authors

Renata Jakubczuk

Content

Full texts:
1141-948.pdf

Title variants

EN
The god of the dance in Till l’Espiègle by Téo Spychalski
PL
Le dieu de la danse dans Till l’Espiègle de Téo Spychalski

Languages of publication

FR

Abstracts

EN
Till l’Espiègle – a theatrical production based on the Journal of Vaslav Nijinski, a Russian dancer of Polish descent – is a play of the Francophone theater. This play was presented for the first time in 1982 by a Quebec actor, Gabriel Arcand, in the Groupe de la Veillée of the Prospero Theater of Montreal. The theme of God is the main subject of the production. In this article, we are trying to demonstrate the dichotomy of the Nijinski’s microcosm: divided between the sacrum and profanum.
PL
Till l’Espiègle – a theatrical production based on the Journal of Vaslav Nijinski, a Russian dancer of Polish descent – is a play of the Francophone theater. This play was presented for the first time in 1982 by a Quebec actor, Gabriel Arcand, in the Groupe de la Veillée of the Prospero Theater of Montreal. The theme of God is the main subject of the production. In this article, we are trying to demonstrate the dichotomy of the Nijinski’s microcosm: divided between the sacrum and profanum.

Keywords

Publisher

Uniwersytet Gdański

Journal

Cahiers ERTA

Year

2014

Issue

5

Pages

81-92

Physical description

Dates

published
2014-01-01

Contributors

author
Renata Jakubczuk

References

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.ojs-issn-2353-8953-year-2014-issue-5-article-1141
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