S’autofictionnaliser à la manière de la madeleine à l’envers dans Un amour de soi de Serge Doubrovsky

• Authors: Nadia Bouhadid

Title variants

EN

If autofictionnaliser to how the madeleine upside down in Un amour de soi of Serge Doubrovsky

PL

S’autofictionnaliser à la manière de la madeleine à l’envers dans Un amour de soi de Serge Doubrovsky

• Languages of publication: FR

Abstracts

EN

After Fils (1977) Doubrovsky continued his autofictional adventure with a production always rooted in "fiction, events and strictly real facts". S’autofictionnaliser à la manière de la madeleine à l’envers dans Un amour de soi de Serge Doubrovsky 145 This study attempts to discover the autofictional techniques used in his novel Un amour de soi. In a thematic perspective, our exploration of the Doubrovskian work is based on two axes, the first will shed light on the events of the couple Rachel / Serge, a relationship that will reveal various information about the author and his relationship with oneself -even with the other, then we will examine how does the autofictional ego convene and exploit the other in order to get a self fragmentary representation. The second will be the rewriting of Un amour de Swann of Proust, a process that will allow us to capture the specificity of Doubrovskian writing which is inspired from a revered model that could even push him away. Our interest is mainly about how does the process of "madeleine upside down" take action within Un amour de soi.

PL

After Fils (1977) Doubrovsky continued his autofictional adventure with a production always rooted in "fiction, events and strictly real facts". S’autofictionnaliser à la manière de la madeleine à l’envers dans Un amour de soi de Serge Doubrovsky 145 This study attempts to discover the autofictional techniques used in his novel Un amour de soi. In a thematic perspective, our exploration of the Doubrovskian work is based on two axes, the first will shed light on the events of the couple Rachel / Serge, a relationship that will reveal various information about the author and his relationship with oneself -even with the other, then we will examine how does the autofictional ego convene and exploit the other in order to get a self fragmentary representation. The second will be the rewriting of Un amour de Swann of Proust, a process that will allow us to capture the specificity of Doubrovskian writing which is inspired from a revered model that could even push him away. Our interest is mainly about how does the process of "madeleine upside down" take action within Un amour de soi.

• Publisher: Uniwersytet Gdański
• Journal: Cahiers ERTA
• Year: 2015
• Issue: 7
• Pages: 123-145

Dates

published

2015-01-01

Contributors

author

Nadia Bouhadid