PL EN


2009 | 4 |
Article title

Lo real y el coro: ¿parodia o juego con una convención?

Content
Title variants
Languages of publication
ES
Abstracts
ES
In Lo real (2001) by Belén Gopegui, a novel treating of relations between an individual and the capitalist society, a special character is revived, namely the chorus. While confronting the role it plays in the Spanish novel under analysis using the theories of the functions of the chorus as a constitutent of ancient tragedy, we answer the question whether the writer’s act of introducing this collective character to a comtemporary prose work should be treated as a parody or as playing with a commonly known literary convention, aimed to achieve specific objectives. The discussion touches on, for instance, the concept of the chorus as an interlude, a rightful participant in the plot, ethical authority, a literary “extension” of the author, an ideal reader etc. Key words: Contemporary Spanish prose, Greek tragedy, chorus, Belén Gopegui.
Keywords
Year
Volume
4
Physical description
Dates
published
2009
Contributors
References
Document Type
Publication order reference
Identifiers
YADDA identifier
bwmeta1.element.ojs-issn-2353-9887-year-2009-volume-4-article-5734
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