Krajobraz z rzeźnią w tle. Horror, czyli sztuka mięsa

• Authors: Katarzyna Ancuta

Title variants

EN

A Landscape with a Slaughterhouse in the the Background. Horror or the Art of Meat

• Languages of publication: PL

Abstracts

PL

Katarzyna Ancuta A Landscape with a Slaughterhouse in the the Background. Horror or the Art of Meat     Summary The presented article reconsiders contemporary Horror in terms of a MEATaphor, that is a metaphor of meat. The article draws on Modem Horror's fascination with such themes as the body, flesh, carnality, physicality, monstro­sity, mutation, or bio-technology, all of which being, in fact, the representation of meat. Due to its interest in the human body, always treated instrumentally, Modem Horror has been frequently referred to as "meat-horror." The article examines the "meat" content of Modem Horror and the argument is divided into three parts discussing the notions of meat as food, meat as flesh, and meat as the abject female body respectively. The first part is concerned with meat consumption (including human meat) and centres on a number of cannibalistic themes of both explicit and implicit nature. The second part touches on the questions of carnality and sexuality, as well as anatomy and bodily transformations, and generally refers to the sphere of human biology. Finally, the third part concentrates on the images of the female body as the abject territory for both men and women. It evaluates Modem Horror texts from a gender perspective discussing the notion of the monstrous feminine and deconstructing anorexia nervosa.

EN

Katarzyna Ancuta A Landscape with a Slaughterhouse in the the Background. Horror or the Art of Meat     Summary The presented article reconsiders contemporary Horror in terms of a MEATaphor, that is a metaphor of meat. The article draws on Modem Horror's fascination with such themes as the body, flesh, carnality, physicality, monstro­sity, mutation, or bio-technology, all of which being, in fact, the representation of meat. Due to its interest in the human body, always treated instrumentally, Modem Horror has been frequently referred to as "meat-horror." The article examines the "meat" content of Modem Horror and the argument is divided into three parts discussing the notions of meat as food, meat as flesh, and meat as the abject female body respectively. The first part is concerned with meat consumption (including human meat) and centres on a number of cannibalistic themes of both explicit and implicit nature. The second part touches on the questions of carnality and sexuality, as well as anatomy and bodily transformations, and generally refers to the sphere of human biology. Finally, the third part concentrates on the images of the female body as the abject territory for both men and women. It evaluates Modem Horror texts from a gender perspective discussing the notion of the monstrous feminine and deconstructing anorexia nervosa.

• Publisher: Wydawnictwo Uniwersytetu Śląskiego w Katowicach / Śląsk Sp. z o.o. Wydawnictwo Naukowe
• Journal: ER(R)GO: Teoria – Literatura – Kultura
• Year: 2002
• Issue: 4

Dates

published

2002-01-01

Contributors

author

Katarzyna Ancuta