Pain and I: A Crip Performance Score

• Authors: Sarah Hopfinger
• Publisher: Instytut im. Jerzego Grotowskiego we Wrocławiu
• Journal: Didaskalia. Gazeta Teatralna
• Year: 2024
• Issue: 181-182
• Pages: 152-190

Dates

published

2024

Contributors

author

Sarah Hopfinger

• Royal Conservatoire of Scotland

References

• Barrett, Estelle, ‘Introduction,’ [in:] Practice as Research, Approaches to Creative Arts Enquiry, ed. E. Barrett, B. Bolt, Palgrave Macmillan, New York 2007.
• Belser, Julia Watts, ‘Introduction: Religion, Disability, and the Environment,’ Worldviews 2015, no. 19.1.
• Birk, Lara, ‘Erasure of the Credible Subject: An Autoethnographic Account of Chronic Pain,’ Cultural Studies, Critical Methodologies 2013, no. 13.5.
• Clare, Eli, Brilliant Imperfection, Duke University Press, London 2017.
• Hopfinger, Sarah, ‘Chronic Pain, Choreography and Performance: Practices of Resilience,’ Research in Drama Education 2021, no. 26.1.
• Hopfinger, Sarah, Bissell, Laura, ‘Performance Research and Pedagogy: Inviting in the Unknown,’ Journal of Media Practice 2022, no. 23.1.
• Kafer, Alison, Feminist, Queer, Crip, Indiana University Press, Bloomington 2013.
• Lee, Rosemary, Pethybridge, Ruth. ‘“Dancing Through the Hard Stuff:” Repetition, Resilience and Female Solidarity in the Landscape – Rosemary Lee’s Passage for Par,’ [in:] The Routledge Companion to Dance Studies, ed. H. Thomas, S. Prickett, Routledge, London 2019.
• Tsing, Anna, The Mushroom at the End of the World: On the Possibility of Life in Capitalist Ruins, Princeton University Press, Princeton & Oxford 2013.
• Vincs, Kim, ‘Rhizome/Myszone: A Case Study in Studio-based Dance Research,’ [in:] Practice as Research, Approaches to Creative Arts Enquiry, ed. E. Barrett, B. Bolt, Palgrave Macmillan, New York 2007.

Identifiers

Biblioteka Nauki

53420729