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2012 | 4(207) | 109-123

Article title

Mechanizmy kultury prosumpcji, czyli fani i ich globalne zróżnicowanie

Authors

Content

Title variants

EN
Discovering the Mechanisms of Culture of Prosumption

Languages of publication

PL

Abstracts

PL
W socjologii kultury coraz większą uwagę poświęca się tak zwanej prosumpcji. Bazując na już istniejących ogólnych koncepcjach z nią związanych, autor przedstawia jej funkcjono- wanie w sferze popkultury i wprowadza pojęcie „kultura prosumpcji”. Dziś przedsiębiorstwa z branży rozrywkowej drogi do sukcesu upatrują w wykształceniu oddanej grupy nabywców, pracujących na rzecz danego tekstu kulturowego. Autor proponuje sposób diagnozowania me- chanizmów kultury prosumpcji – najłatwiej przez badania najbardziej zaangażowanych od- biorców, to jest fanów, stanowiących awangardę kultury prosumpcji. W przypadku wielbicieli najwyraźniej uwidaczniają się wszystkie istotne cechy prosumpcji popkulturowej. Aby zobra- zować tezę o podstawowej roli fanów, autor prezentuje, jak badanie środowisk fanowskich pomagać może w odkrywaniu prawidłowości globalnego zróżnicowania kultury prosumpcji. W artykule zaproponowane zostają kryteria, na podstawie których sądzić można o stanie owej kultury w różnych rejonach świata.
EN
In the field of sociological studies of culture, more and more attention is being paid to the so-called prosumption. Based on the already existing general concepts related to it, the author presents its functioning in the sphere of popular culture, proposing the term: culture of prosumption. More and more frequently the enterprises within the entertainment industry seek their ways to success in a grass-root emergence of groups of acquirers working for a culture text. The use of the amateurs’ participation has become a dominant business model. The aim of the article is to organize the state-of-the-art knowledge on prosumption. Additionally, the author proposes a convenient way of diagnosing its mechanisms – it is easiest to describe the culture of prosumption through the analysis of the most engaged recipients, namely the fans, who constitute the avant-garde of the culture. The fans illustrate all the essential features of pop-culture prosumption.

Year

Issue

Pages

109-123

Physical description

Contributors

author
  • Uniwersytet Kazimierza Wielkiego w Bydgoszczy

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Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.cejsh-067246c4-3f05-42c4-a146-687a9dd9fae5
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