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2015 | 24/1 | 119-132

Article title

Ted Hughes and Poetry as Spiritual Restitution

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Content

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EN

Abstracts

EN
The article explores Ted Hughes’s poems and criticism with a view to demonstrating that his poetry represents a willing exposure to the greatest of traumas in order to recuperate from them a spiritual energy. It is argued here that since, according to Hughes, the modern world is a civilisation of repression, the poet’s task is to alleviate this pain at the price of his own suffering. In this sense the poet plays the function of the shaman, who knows that his power derives from the pain he undergoes on behalf of his community. Rather than spirits, however, the poet-shaman in Hughes seeks the favour of what Robert Graves called the white goddess, who can bestow her blessing on the poet or mercilessly plunge him into ruin.

Contributors

author
  • Jagiellonian University

References

  • Eliot, T. S. 1999. Selected Essays. London: Faber and Faber.
  • Faas, Ekbert. 1980. The Unaccommodated Universe. Santa Barbara: Black Sparrow.
  • Feinstein, Elaine. 2001. Ted Hughes: The Life of a Poet. London: Weidenfeld and Nicolson.
  • Graves, Robert. 1981. The White Goddess. London: Faber and Faber.
  • Hanief, Mohammad. 2000. The Dynamics of Criticism in T. S. Eliot. New Delhi: Atlantic Publishers and Distributors.
  • Hughes, Ted. 1992. Shakespeare and the Goddess of Complete Being. London: Faber and Faber.
  • Hughes, Ted. 1994. Winter Pollen. Occasional Prose. Ed. William Scammel. London: Faber and Faber.
  • Hughes, Ted. 2003. Collected Poems. Ed. Paul Keegan. New York: Farrar, Straus and Giroux.
  • Hughes, Ted. 2007. Letters of Ted Hughes. Ed. Christopher Reid. London: Faber and Faber.
  • Keats, John. 1973. Poetical Works. Ed. H. W. Garrod. Oxford: Oxford University Press.
  • Larkin, Philip. 1973. Required Writing. Miscellaneous Pieces 1955–1982. London: Faber and Faber.
  • Lucie-Smith, Edward (ed.). 1970. British Poetry since 1945. London: Penguin.
  • Morris, Brian. 2006. Religion and Anthropology. A Critical Introduction. Cambridge: Cambridge University Press.
  • Muir, Kenneth. 1977. The Sources of Shakespeare’s Plays. London: Methuen.
  • Sagar, Keith. 2000. The Laughter of Foxes. A Study of Ted Hughes. Liverpool: Liverpool University Press.
  • Scigaj, Leonard M. 2005. “The Deterministic Ghost in the Machine of Birthday Letters.” Ted Hughes: Alternative Horizons. Ed. Joanny Moulin. London: Routldege. 1–13.

Document Type

Publication order reference

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YADDA identifier

bwmeta1.element.desklight-394a7c06-de7b-433a-895e-83565a5fbb32
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