Introduction to the issue

• Authors: Popczyk Maria
• Languages of publication: EN
• Publisher: Uniwersytet Pedagogiczny im. KEN w Krakowie, Instytut Filozofii i Socjologii
• Journal: ARGUMENT: Biannual Philosophical Journal
• Year: 2015
• Volume: Tom: 5
• Issue: Numer: 2
• Pages: 329-335

Dates

published

2015

Contributors

author

Popczyk Maria

• Uniwersytet Śląski w Katowicach

References

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• Binkley, T. (1977). Piece: Contra aesthetics. The Journal of Aesthetics and Art Criticism, 35(3), 265–277.
• Boyer, Ch. M. (1994). The city of collective memory: its historical imagery and architectural entertainments. Cambridge: The MIT.
• Greenblatt, S. (1992). Resonance and wonder. In: S. Greenblatt. Learning to curse: essay in early modern culture (pp. 161–183). New York–London: Routledge.
• Ingarden, R. (1973). Cognition of the literary work of art. Evanston: Northwestern University Press.
• Olsen, D. J. (1986). The city as a work of art: London, Paris, Vienna. New Haven–London: Yale University Press.
• Sepänmaa, Y. (2003). Multi‑sensoriness and the city. In: V. Sarapik & K. Tuur (Eds.) Proceedings of the Estonian Academy of Arts ‘Place and location: Studies in environmental aesthetics and semiotics’ (pp. 75–85; vol. 3). Tallinn: Estonian Academy of Arts and Estonian Semiotics Association.
• Welsch, W. (1997). Aesthetics beyond aesthetics. In: M. Honkanen (Ed.). Proceeding of the XIIIth International Congress of Aesthetics, Lahti 1995 (pp. 18–37; vol. III: Practical aesthetics in practice and theory). Helsinki: University of Helsinki / Lahti Research and Training Centre. Retrieved from: http://www2.uni‑jena.de/welsch/papers/W_Welsch_Aesthetics_beyond_Aesthetics.html (10.02.2016).