ИМПРЕССИОНИСТИЧЕСКОЕ МИРООЩУЩЕНИЕ В ХУДОЖЕСТВЕННОЙ КУЛЬТУРЕ РОССИИ КОНЦА ХIХ – НАЧАЛА ХХ ВЕКА

• Authors: Астахов Олег

Title variants

EN

Impressionistic Way of Real World Perception in Russian Artistic Culture During the End of the 19th Century and in the Beginning of the 20th Century

• Languages of publication: RU

Abstracts

EN

Such distinguishing features of impressionism as disappearing of materialism as a way of real world perception, new principles of artistic generalization and structuralism required maximum mobilization of inner resources of art to express new tendencies for culture through unknown figurative images. Later this new feature of art was influenced not only by the restless will of an artist, being eager to experiment, but also by quite objective conditions. Destruction of an old picture of the world revealed itself in all trends of art. A new feeling of life and time appeared, giving birth to art of a new quality. Something vague and elusive dominated the new trend of art, very much similar to the vagueness of people’s lives. These are not distinctly outlined images, some are illusions. These new artistic optical illusions witnessed rejection of easily recognizable and long ago adopted images in culture. As a result new artistic means without any evident material objects as a basis were stressed to reveal that inner moral state of a man during the end of the 19th century and in the beginning of the 20th century.

Keywords

EN

impressionism,; Russian culture,; structuralism,; experiment,; perception

• Publisher: Uniwersytet Warmińsko-Mazurski w Olsztynie
• Journal: Acta Neophilologica
• Year: 2010
• Volume: XII
• Pages: 175-180

Dates

published

2010-12-01

Contributors

author

Астахов Олег

• Кемеровский государственный университет культуры и искусств

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