: EXISTENTIAL AND TRANSCENDENTAL ANALYSIS OF MUSIC

• Authors: Tarasti E.
• Languages of publication: PL

Abstracts

EN

In the last decade the author has launched a new theoretical project to renew the so-called classical semiotic approach and to rethink its epistemological basis. These theoretical and philosophical reflections have started from the hypothesis that semiotics cannot stay forever as Peirce, Saussure, Greimas, Lotman, Sebeok and others have established it. Semiotics is in flux and reflects new epistemic choices in the situation of sciences in the twenty-first century. The author presents some aspects of problem: e.g. contept 'moi' and 'soi' in music, change of Hegelian concepts 'an-sich sein' (being-in-itself) and 'für-sich-sein' (being-for-itself) into 'an-mich sein' (being-in-myself) and 'für-mich-sein' (being-for-myself). In the final part of this essay, he would present an analysis of the first movement of Beethove's Sonata in E flat major op. 7.

Keywords

EN

HEGEL; MUSIC PHILOSOPHY; MUSIC THEORY; SEMIOTIC

Discipline

• ARTS_&_ARCHITECTURE: ARTS & ARCHITECTURE

• Publisher: Polska Akademia Nauk. Instytut Sztuki PAN
• Journal: Muzyka
• Year: 2006
• Volume: 51
• Issue: 4(203)
• Pages: 73-115
• Document type: ARTICLE

Contributors

author

Tarasti E.

• E. Tarasti, Institute for Art Research, Faculty of Arts, University of Helsinki, P.O. Box 3 (Fabianinkatu 33) 00014 University of Helsinki, Finland

Identifiers

CEJSH db identifier

07PLAAAA03286785