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Teoria aktora-sieci czy postfenomenologia techniki? Wizualność a współczesne studia nad nauką i techniką

100%
Juchniewicz N.
Zagadnienia Naukoznawstwa
|
2016
|
vol. 52
|
issue 2(208)
219-232
PL
Artykuł podejmuje problem pojawienia się w obszarze badań nad wizualnością obrazów generowanych przez urządzenia bądź praktyki związane z nauką i techniką. Status tych obrazów w obszarze badań nad relacją człowiek-technologia podejmuje teoria aktora-sieci (Latour) oraz postfenomenologia techniki (Ihde). Pierwsza z nich jest już bliżej znana w Polsce, natomiast druga wciąż wymaga właściwej recepcji. Wspólnym, historycznym punktem wyjścia dla tych teorii w obszarze studiów nad wizualnością są rozważania z zakresu sztuki i estetyki. Obie koncepcje różnicuje jednakże metodologia i stosunek do klasycznych teorii fi lozofi cznospołecznych. W tekście analizowane są kluczowe pojęcia dla tych dwóch kierunków badawczych, zwłaszcza pojęcie mediacji oraz hermeneutyki materialnej.
EN
The article concerns the problem of pictures generated by scientifi c and technic tools or practices in the fi eld of visualization studies. Status of these pictures in the sphere of studies of human-technology relation is analyzed in terms of actor-network theory (Latour) and postphenomenology of technology (Ihde). The fi rst of these theories is known in Poland, however the second one still demands proper reception. Common, historical beginning for the theories in their interest in visualization studies are refl ections about art and aesthetics. Both theories diversify methodology and the attitude to the classical philosophical-social theories. The article analyzes the key concepts for these two research directions especially concept of mediation and material hermeneutics.
2

DIALECTICAL TECHNOLOGY – HEGEL ON MEANS, TOOLS AND THE MACHINE

100%
Juchniewicz N.
Filozofia (Philosophy)
|
2018
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vol. 73
|
issue 10
818 – 830
EN
The paper concerns on G.W. F. Hegel’s philosophy of technology. By assuming two methodological strategies – reading selected paragraphs of Hegel’s texts where he speaks about technology and deducing the essence of technology as a concept – this paper describes the key ideas shaping the German idealist’s philosophy of technology. Three main issues are discussed: 1. the role Hegel assigns to the instrumental action of man; 2. the relation between tool production and culture as objectivisation of the human being; and 3. why technology is dialectical. The aim is therefore to show that Hegelian notions such as “mediation”, “cunning of reason”, and “dialectics”, were meant by Hegel himself to be used to think about technology, which is necessary to develop their full potential in contemporary discussions about technological progress, and to thus fill the gap in philosophy of technology caused by misinterpretations of Hegel as a pure idealist with no interest in technology.
3
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Alienacja, fikcja, narracja – formy (o)powieści bytu społecznego

100%
Juchniewicz N.
Estetyka i Krytyka
|
2014
|
issue 4(35)
107-126
XX
The article takes up the problem of significance of literature, especially of the novel, as a symptom of alienation (Marx), which can manifests itself in the creation of possible worlds in fiction (Ricoeur), in ideology (Lukács) and in antyfiction (Marquard). The analysis of literature tropes found in economic-social conceptions reveals not only social-historical narrations, but also scientificphilosophic ones (White, Kellner).
4

THE STATE AND THE LANGUAGE - THE HEGEL'S REVERSED PYRAMID (Panstwo i jezyk czyli o odwroconej piramidzie u Hegla)

100%
Juchniewicz N.
Przegląd Filozoficzno-Literacki
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2010
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vol. 9
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issue 2(27)
179-195
EN
The paper describes the dependence of the structure of Hegel's conception of state on the language in its performative use. The theory of signs cannot be considered without the context of its social effects (as Jacques Derrida tried to analyze it). Also the 'deduction' of hereditary monarchy - considered on the backgrounds of the dialectic of a symbol - seems to be a necessary element of aesthetic structural fulfillment (which is a critique of Shlomo Avineri's account of monarchy). The 'pyramid' as a symbol-sign of Hegel's idea of unity of language and the social is central to understanding his ontology of the social being.
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