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PL
„Na nagłej i niespodziewanej sprężynie” – Makowskie bajki as a borderland of children poetry and the poetic myth of a child This paper reads Jerzy Ficowski’s Makowskie bajki, a poetry volume/series written under the influence of chosen Tadeusz Makowski’s paintings, as a separate work situated somewhere in the ‘borderland’ of children and adult literature, or as literature that does not clearly define its target. The main context for this interpretation of the cycle are mainly children poems by Ficowski. Some of his early poems from 1957–1974, especially the Zmierzch o świcie poem, are significant as sources of the artistic myth of a child, derived from the visions of Bruno Schulz and Witold Wojtkiewicz, visions troubling and extending beyond the children’s understanding. The paper examines the artistic consequences of the inspirations coming from both sides of this literary border. Key words: children literature; poetry for children; poetic myth; literary borderland; childhood; poetry series; Tadeusz Makowski;
EN
This review of Monika Sznajderman’s autobiographical essay endeavours to show the techniques and the ethical value of reconstructing Polish and Jewish fates entangled in the history of the author’s family and her own dualistic identity. The review retells a story of Jewish and Polish relations during the war, and demonstrates how Sznajderman manages to avoid stereotypes in her work. Finally, it is emphasised that it is not the historical processes that interest Sznajderman the most, but rather the interpersonal relations.
PL
Recenzja autobiograficznego eseju Moniki Sznajderman koncentruje się na technikach i etycznym wymiarze rekonstrukcji żydowskiego oraz polskiego losu w historii rodziny i własnej dwojakiej tożsamości pisarki. Autorka recenzji przedstawia opowieść o Żydach i Polakach w czasie wojny, pokazuje także, w jaki sposób Sznajderman unika, konstruując swoją wypowiedź, stereotypów. W recenzji podkreśla się również, że nie tło historyczne, ale międzyludzkie więzi najmocniej interesują eseistkę.
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