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Romantismus a biedermeier: směry komplementární či disjunktivní?

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Berkes T.

Bohemistyka

2011

vol. 11

issue 3

159-166

The study focuses on the relation between Romanticism and Biedermeier, considered as literary movements in pre-March Czech literature. This study’s basic thesis is that we can interpret Biedermeier only in the context of Romanticism, because only in relation to Romanticism is its fundamental semantic distinction obvious. The study analyses the stylistic inosculation of both movements, on the basis of Czech texts with Hungarian and Polish parallels.

GROTESKA AKO LITERÁRNY SMER V LITERATÚRACH STREDNEJ A VÝCHODNEJ EURÓPY ŠESŤDESIATYCH ROKOV

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Berkes T.

World Literature Studies

2014

vol. 6 (23)

issue 4

32 – 45

The essay aims to examine the works of art of Central and Eastern European literatures that can be connected by the notion of grotesque. On the basis of their common semantic and morphologic characteristics these pieces of art are interpreted as a distinct literary trend. According to the author, the special role of literary grotesque results from the staggering psychological conditions that have been expressed by the structural unity of the tragic and comic elements with standing value. On the basis of the different semantic formations (points of junction), the author distinguishes seven types of grotesque that partly or completely cover the writings of the Polish Tadeusz Różewicz, Sławomir Mrożek, the Czech Václav Havel, Milan Kundera, Josef Škvorecký, Bohumil Hrabal, Vladimir Páral and the Hungarian István Örkény.

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Romantismus a biedermeier: směry komplementární či disjunktivní?

GROTESKA AKO LITERÁRNY SMER V LITERATÚRACH STREDNEJ A VÝCHODNEJ EURÓPY ŠESŤDESIATYCH ROKOV