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Husaři, Hegel a dějiny

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The paper discusses one aspect of the reflection on Hegel’s philosophy in France after 1945 and its impact on literary work. Hegel attracted not only Existentialist philosophers but also some writers interested in Hegel’s philosophy of history. The paper presents two novelists — Jacques Laurent and Roger Nimier — belonging to the “Hussards” Movement and analyses their relationship to Hegel and the influence of this relationship on their authorship.
EN
In the frame of Quebec literature, Michel Tremblay’s poetics is an attempt to transfiguration of plebeian axiology in high literature, universal in scope. The slang of the Montreal periphery (so called joual) and its speakers, which are mostly marginal characters, are highlighted by the application of the principles of religious drama, Greek tragedy and opera as the constituent parts of Tremblay’s theater and prose. To identify and illustrate these principles at different structural levels, the paper analyses the novels Le Premier Quartier de la lune (1989), Le cahier noir (2003), La Traversée de la ville (2008) and the drama Sainte Carmen de la Main (1976).
EN
What is the source of memory? How is a memory constituted? Could memory conserve itself and be perpetuated? If yes, how? What is the role of language and the relationship between memory and writing? Anne Élaine Cliche’s novel, published in 1998, unfolds between Montreal, New York and Jerusalem and even if the core of the story is situated in contemporary times, the recall of the Jesuit Relations refers to missionary adventures of the seventeenth century. The analysis of the novel insists on its phenomenological and philosophical aspects, in Kundera’s manner. While the first part of the novel places emphasis on the constitution and the preservation of memory through body, voice and transposition into language, in the second part, the questioning of memory concerns its truthfulness and the interaction between memory constituted in narrative and reality, between an individual act and a collective memory
EN
The transformation of the arts, foreseen and announced by Hegel, coincides with the birth of modernity. One of its essential aspects is the noetic turn in literature, which can be seen as a manifestation of autoreflexivity within the framework of intraliterary dynamics: autoreflexivity engages the questioning of language, it redefines the status of the lyric subject and the narrator, it problematizes discursivity and thus proposes new approaches to referential reality. Literature becomes a specific form of thought and a crucible of reflection by occupying a terrain that neither science nor philosophy could explore, that of existential human experience, not yet conceptualized. Literature thus produces discourses and concepts that can later be grasped and systematized by science and philosophy. An exemplification attempts to illustrate this process from the 19th century to the present day.
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