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Lucjusz Anneusz Kornutus i etnograficzna egzegeza mitu

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EN
The aim of the present article is to demonstrate that the hermeneutical activity of Lucius Annaeus Cornutus is best characterized as ‘ethnographical’ rather than merely ‘allegorical.’ Without denying the presence of allegorical interpretation in the philosopher’s work, the paper establishes that Cornutus’ etymological interpretations aimed first and foremost to extract the archaic vision of the world that motivated every theogony. Thus, the philosopher regarded conventional mythology and traditional religion as sources of information about the primeval accounts of the cosmos: his analyses of various etymologies discovered not merely the origin of the word in question (in this respect his analyses were often naďve and fantastic) but, first of all, the origin of the ancient world picture that underlay the particular system of beliefs. As a result of this, interpreting myths was for Cornutus tantamount to gaining profound insights into the mind of primordial man and his world.
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Symbol i alegoria w filozoficznej egzegezie stoików

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Filo-Sofija
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2011
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vol. 11
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issue 2-3(13-14)
719-736
EN
The present paper aims to ascertain whether, and if so, to what extent the modern distinction between the concepts of ‘symbol’ and ‘allegory’ can be applied to Stoic hermeneutical activity. The philosophy of the Stoics invites such a discussion, since the philosophers were the first thinkers in antiquity to actually have used the terms with reference to the process of retrieving the hidden meaning of various literary constructions. Thus, Chrysippus’ interpretation of the myth of Athena’s birth provides the point of departure for our considerations, since it is in the philosopher’s exegesis that we find the very first use of the word ‘symbol’ understood as a theoretical tool for interpreting texts. Subsequently, the article proceeds to discuss the interpretations of the same myth that were presented by Cornutus and Heraclitus who use the words ‘symbol’ and ‘allegory’ interchangeably. While the paper argues that in none of the cases analyzed do we find an understanding of the terms ‘symbol’ or ‘allegory’ that would entirely correspond to modern definitions of the terms, it also stresses that the impossibility of classifying Stoic interpretations as either solely ‘symbolical’ or solely ‘allegorical’ does not diminish the cultural import of Stoic hermeneutical activity.
EN
The article suggests that the Protagoras could be read as an exposition of a particular model of philosophy. On this account, the dialogue appears to equate philosophy with rational discussion. Obviously, the Protagoras does treat of the teachability of virtue, but the major problem that seems to occupy Plato in the dialogue is the idea that philosophy is a rational exchange of opinions. That is why the confrontation between Socrates and Protagoras ends neither in the philosopher's prevalence over the sophist nor the other way round. For similar reason, Socrates seems at times to transform into Protagoras, while the sophist may occasionally sound more like his opponent. The rationale behind these strange developments is that the genuine protagonist of the dialogue is logos as the epitome of philosophical method proper. Thus, the philosophical method of a dialectical conversation triumphs over the sophistic monologue. The philosophical dialogue between Socrates and Protagoras yields no definitive result, for it is supposed to show that the only legitimate guide in life is reason which transpires to be the measure of all opinions.
4
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Filo-Sofija
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2011
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vol. 11
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issue 1(12)
361-372
EN
The purpose of the article is to present the phenomenon of allegorical interpretation as one of most important cultural events that has ultimately resulted in the emergence of modern hermeneutics. More specifically, the paper argues that the hermeneutical activity of Metrodorus of Lampsacus embodies the practice that is nowadays commonly referred to as ‘humanistic interpretation’. Having established that the exegesis of Metrodorus can be characterized as a type of humanistic interpretation, the article proceeds to demonstrate that the allegoresis in question was in fact adaptive in its nature. While Metrodorus’ ideas are suggested to have possibly contributed to the philosophical overcoming of the so called syncretic-magical thinking, the allegorical support of the transformation of mythos into logos is analyzed within the framework of Jerzy Kmita’s theory of culture.
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On Symbolic Allegoresis of the First Pythagoreans

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EN
The present paper argues that the early Pythagoreans contributed significantly to the development of ancient hermeneutics. The article builds on the assumption that even if the thinkers did not deal with allegoresis directly, the very manner of articulating their thought was, nevertheless, quite conducive to the growth of allegorical interpretation. Thus, at least indirectly, Pythagoreanism must have played an important role in the development of allegoresis. The paper identifies two crucial aspects of Pythagorean influence on the allegorical tradition. Firstly, the Pythagoreans made a very specific use of the poetry of Homer and Hesiod as well as of the traditional mythology in general. Secondly, the teachings of Pythagoras were expressed in terms of various ambiguous symbols that required special exegesis. Both these factors must have contributed considerably to the development of allegoresis: the idiosyncratic use of conventional mythology, on the one hand, and the enigmatic nature of the Pythagorean symbols, on the other, must have provoked extensive search for the latent (i.e., “allegorical”) meaning of the “messages” in question.
EN
The present paper attempts to throw some light on the conundrum of Socrates’ political views in the Apology and Crito. The problem resides in that the Socrates of the Apology evidently undermines the authority of Athenian democracy, whereas the Socrates of the Crito argues that his escape from prison would be tantamount to disrespecting the state, which would in turn threaten the prosperity of the entire πόλις. The article suggests that in the two dialogues, the young Plato examines the possibility of steering a middle course between embracing relativism, on the one hand, and encouraging civil disobedience, on the other. Thus, the philosopher focuses primarily on investigating the two options, without either totally subordinating the citizen to the state, or unreflexively accepting any crude pragmatism.
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PL
Lista publikacji Mariana Andrzeja Wesołego.
EN
The present article is concerned with Proclus’ highly original and profoundly influential account of the symbolic function of poetry, the pedagogic as well as the hieratic value of myths and the soteriological power of allegorical interpretation. Thus, the paper begins with a brief discussion of Plato’s dismissal of poetry as μέγιστον ψεῦδος. Subsequently, Proclus’ theory of three kinds of poetry is examined, upon which attention is paid to his revolutionary idea that σύμβολα rather than μιμήματα are the tools of the highest kind of poetry. Then, Proclus’ views on the difference between Plato’s and Homer’s μυθοποιΐα are considered. While the article concludes with an analysis of Proclus’ conviction about the functional similarity of symbols in myths and those in magic rites, allegoresis is shown to have the same salvational role that Proclus ascribes to theurgy.
EN
The present article offers the first Polish translation of Theodore Metochites’ important essay on the philosophers’ use and abuse of irony. The translation is preceded by an introduction which briefly presents the author of the Miscellanea philosophica et historica, upon which it reconstructs the argument of essay 8 and provides an assessment of Metochites’ account of irony. 
PL
The present article offers the first Polish translation of Theodore Metochites’ important essay on the philosophers’ use and abuse of irony. The translation is preceded by an introduction which briefly presents the author of the Miscellanea philosophica et historica, upon which it reconstructs the argument of essay 8 and provides an assessment of Metochites’ account of irony.
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Multivocity in Topics 1.15

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EN
This paper discusses Aristotle’s account of multivocity (πολλαχῶς/ πλεοναχῶς λέγεται) as expounded in Topics 1.15. This article argues that an inquiry into how many ways (ποσαχῶς) something is said becomes for Aristotle a tool of dialectical examination that he employs through­out his entire philosophical career: investigating the many/multiple ways (πολλαχῶς/πλεοναχῶς) something is said allows one to recognize the ambiguity of the term in question and, consequently, to construct an adequate definition of its referent. The present study reconstructs the various strategies for detecting ambiguity and discusses its differ­ent types. Subsequently, the paper accounts for why Aristotle moves so easily from words and their meanings to things and their essences. Finally, the article presents an analysis of the connection between the many ways something is said and the various categories it is predicated in. The considerations are supported by a new translation of Topics 1.15.
PL
This paper discusses Aristotle’s account of multivocity (πολλαχῶς/ πλεοναχῶς λέγεται) as expounded in Topics 1.15. This article argues that an inquiry into how many ways (ποσαχῶς) something is said becomes for Aristotle a tool of dialectical examination that he employs throughout his entire philosophical career: investigating the many/multiple ways (πολλαχῶς/πλεοναχῶς) something is said allows one to recognize the ambiguity of the term in question and, consequently, to construct an adequate definition of its referent. The present study reconstructs the various strategies for detecting ambiguity and discusses its different types. Subsequently, the paper accounts for why Aristotle moves so easily from words and their meanings to things and their essences. Finally, the article presents an analysis of the connection between the many ways something is said and the various categories it is predicated in. The considerations are supported by a new translation of Topics 1.15.
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