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EN
This paper shows the educational aspects of video game Minecraft in primary education. It is based on a systematic review and interviews conducted with fourteen players of the aforementioned game as well as an analysis of interviews with the creator of Young Programmer Academy and an educator of an IT class. The statements of users (players) and educators point to the potential uses of the game in learning and acquiring social skills. In the game, students create their own worlds, develop their imagination and spatial thinking, gain knowledge about the basics of technology, physics and chemistry, as well as enrich their knowledge about nature. Probably for those reasons the game is popular in Norwegian and Swedish schools, where units based on Minecraft are often incorporated by teachers into their lessons.
EN
In the article “Women’s Academic Careers – Entanglements and Inspirations”, I write about the significant problem of the specificity of female careers related to gender and its stereotypical percep- tion. The purpose of the research was to analyse the individual stages of women’s academic careers in the academic field of pedagogy (humanities and social sciences) in 2013–2019, based on the latest research reports (E. Kulczycki Report and the ‘Science in Poland’ Report). The study uses data about pedagogy as a feminized discipline, in which the majority of academic staff are female. The main research question was: How do the individual stages of women’s academic careers in social sciences (especially pedagogy) progress, and what factors determine them? The research method used in this study was what is often referred to in colloquial language as “desk research”, i.e. reviewing and analysing scientific literature, analysing data sources, compiling them and mutual verification. The interpretative background of this research was an analysis of the mechanisms of gender inequalities at universities (related to the mechanisms of the labour market).
PL
W niniejszym wykładzie prezentuje koncepcję współczynnika humanistycznego, proponowaną przez Floriana Znanieckiego do badania faktów kulturowych, w której doszukiwać można się pewnych inspiracji metodologicznych, dla prowadzonych współcześnie badań jakościowych. Zasada „współczynnika humanistycznego” – odnosi się do postrzegania świata i prowadzenia badań, zgodnie z którą badacz ma prezentować fakt, takim jaki jawi się on jednostkom, które go doświadczają i używają. Konieczna jest do poznania rzeczywistości kulturowej, zwłaszcza wartości kulturowych, czynności i faktów kulturowych (w tym człowieka). W koncepcji współczynnika humanistycznego można znaleźć pewne inspiracje dla współczesnej metodologii jakościowej: I ) do prowadzenia badań, II) dotyczące roli humanistycznego badacza – jako przedmiotu i podmiotu badań, III ) dotyczące spornej kwestii subiektywizmu badań jakościowych, które to zaprezentuję pokrótce.
EN
In the following paper, I present the concept of the humanistic coefficient, introduced by Florian Znaniecki, in order to research cultural facts. This concept may be a source of methodological inspiration when conducting qualitative research. The “humanistic coefficient” principle refers to the perception of the world. The researcher’s perspective when interpreting the facts, should be similar to the perspective of the individual experiencing them. This is necessary for recognition of cultural reality, cultural values, action and facts. In the concept of humanistic coefficient one may find some inspirations for contemporary qualitative methodology: 1) to conduct research, 2) refer to the role of humanistic researcher as the subject and the object of research, 3) relate to the disputable question of qualitative research subjectivism.
EN
The article deals with the analysis of the phenomenon of simulating motherhood and fatherhood by playing reborns – realistic baby-like dolls, it describes the process of reborns creation, the intentions of artists who create them and the motives of people who use ‘artificial children’. The article gives a threefold analysis of the phenomenon: the striving for living in perfect reality that is simulated (based on the concept by J. Baudrillard), acting the play of family life in the magic world of consumption (based on the concept by G. Ritzer) and aiming at collecting experiences, impressions and emotions (based on the concept by Z. Bauman). As an educationalist I am considering the following: may using reborns have a therapeutical and educational aspect and what is their role in the postmodern world.
EN
In the text offered to the reader I made an attempt to re-read the central claim presented in the work of S. de Beauvoir titled The Second Sex through the prism of lessons identified for modern upbringing. The central thesis can be described as follows: the differences between genders are socially and culturally conditioned, yet determined by belonging to biological sex; maternal instinct is culturally shaped; the mother’s attitude towards the child depends on its biological sex; housework is limiting women’s potential and focus on outlook causes fear of old age. The direction of change set by de Beauvoir is the androgynous upbringing of women, changing the model of marriage, conscious motherhood, women’s professional work, and creation of feminine cultural communities.
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2022
|
vol. XXVII
|
issue (2/2022)
377-394
EN
Aim. This study explores the main messages on poverty and wealth communicated by the entertainment show Biedny dom-bogaty dom [Poor house – rich house] aired on the Polsat Café channel. The analytical framework for the study is provided by the pedagogical categories which delimit its scope: family home, family, child, education, qualifications and professional work. Methods. The data was collected through a search of secondary sources and examined using the discourse analysis method. The research sample encompassed five seasons comprising a total of 40 episodes. Results. The study identified the following threads of discourse in the respective categories: a) family home: in the case of the poor: “cramped, dirty, and shabby space”, and of the rich: “idyllic”, “comfort”, “luxury”; b) family and child of the poor: “difficult past”, “traditional family”, “love for the children”, of the rich: “the good of the child and decent life for the family”; c) education of the poor: “poor education and the striving to educate the children” and of the rich: “excellent education and striving to educate the children”; d) professional work of the poor: “unemployment and living on social benefits”, the rich: “making good in a short time and working hard to earn a decent living”. Conclusions. As a result, the broadcast, despite sensitizing the TV audience to the social inequalities persisting in Poland, fails to explain their underlying causes and mechanisms. Instead, it communicates a cliched image of poverty and wealth.
PL
Cel. Celem podjętych przeze mnie badań jest poznanie dominujących przekazów odnoszących się do ubóstwa i bogactwa w programie rozrywkowym pt. Biedny dom – bogaty dom, emitowanym w telewizji Polsat Cafe. Podstawę analityczną stanowią podstawowe kategorie pedagogiczne, wyznaczające ramy moich badań, tj.: dom rodzinny, rodzina, dziecko, edukacja, wykształcenie, praca zawodowa. Metoda. Metodę zbierania danych stanowiło przeszukiwanie źródeł wtórnych, zaś analizy – metoda analizy dyskursu. Próbę badawczą stanowiło pięć sezonów, składających się łącznie z czterdziestu odcinków programu. Wyniki. W wyniku badań wyróżniono następujące dyskursy w poszczególnych kategoriach: – dom rodzinny: w przypadku osób ubogich „ciasnoty, brudu i niechlujstwa”, bogatych zaś: „sielanki”, „komfortu” i „luksusu”; – rodzina i dziecko osób ubogich: „trudnej przeszłości”, „posiadania tradycyjnej rodziny”, „miłości do dzieci”; osób bogatych zaś: „dobra dziecka i zapewnienia godziwego życia rodzinie”; – edukacji i wykształcenia osób biednych „niskiego wykształcenia i dążenia do kształcenia się dzieci”, zaś osób bogatych „starannego wykształcenia i dążenie do kształcenia dzieci”; – praca zawodowa w przypadku osób ubogich: „bezrobocia i życia ze świadczeń społecznych”, bogatych natomiast: „szybkiego „dorabiania się” i ciężkiej pracy zapewniającej „godziwe pieniądze”. Wnioski. Analizowany program, choć uwrażliwia telewidzów na problem nierówności społecznych mających miejsce w Polsce, nie wyjaśnia przyczyn ani mechanizmów ich powstawania, transmituje natomiast stereotypowy wizerunek ubóstwa oraz bogactwa.
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