Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

Results found: 4

first rewind previous Page / 1 next fast forward last

Search results

help Sort By:

help Limit search:
first rewind previous Page / 1 next fast forward last
1
Publication available in full text mode
Content available

The Frontier. A Visual Reconnaissance. (Granica. Rekonesans wizualny.) 2018

100%
Sternak W.
Polish Journal of Landscape Studies
|
2019
|
vol. 2
|
issue 4-5
115-134
EN
-
2
Publication available in full text mode
Content available

Until. Vistula (Dopóki. Wisła). 2013-2014

100%
Sternak W.
Polish Journal of Landscape Studies
|
2019
|
vol. 2
|
issue 4-5
129-134
EN
Until. Vistula (Dopóki. Wisła). 2013-2014
3
Publication available in full text mode
Content available

Lappland. 2017

100%
Sternak W.
Polish Journal of Landscape Studies
|
2019
|
vol. 2
|
issue 4-5
119-127
EN
Lappland. 2017
4
Publication available in full text mode
Content available

Wędrowcy antykwarycznej awangardy

100%
Sternak W.
Kultura Współczesna. Teoria. Interpretacje. Praktyka
|
2022
|
vol. 118
|
issue 2
152-164
EN
The intention of photography as a medium is to faithfully represent the reality (Barthes). However, given the advancement of photographic processes, particularly in the digitisation age, camera users are frequently reduced to involuntary executives of the will of algorithms whose opus operandi is no longer within our comprehension (Flusser). Alternative photography-focused movements are emerging that try to go beyond this mainstream. Their rebellion-inspired activities revolve around the search for the forgotten paths, both in the analogue photographic processes (e.g. paper negative, daguerreotype, talbotype) and optical systems reduced to a minimum (e.g. camera obscura). Their works are to provoke the viewer to focus on the surface of the photography rather than treat it as a transparent medium. This phenomenon is analysed in terms of post-tourism defined in opposition to the practices of mass tourism industry. The photographic projects discussed in this article (Decyk, Klupś, Krawiec, Sternak) reveal the potential of the ‘Antiquarian Avant-Garde’ (Rexer) in shifting the accents from must-sees and selfies to mindfulness-mediated personal travel experiences.
first rewind previous Page / 1 next fast forward last
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.