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1
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Brama jako archiwum. Działania archiwistyczne Ośrodka „Brama Grodzka - Teatr NN” w Lublinie

100%
Próchniak P.
Kultura i Społeczeństwo
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2019
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vol. 63
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issue 1
113-123
EN
This article concerns the archival enterprise at the Grodzka Gate-NN Theater Center in Lublin [Ośrodek „Brama Grodzka - Teatr NN”; http://teatrnn.pl] and those aspects of its operation that are connected with the artistic processing of the idea of an archive as a “memory ark.” The author discusses key elements of the archive’s form and function in connection with the Center’s social and educational activities, showing their relation to questions of cultural memory, memory as responsibility, the social dimension of memory, and ethical and artistic aspects of remembering (especially the remembrance and non-remembrance of victims of the Shoah).The article also reviews those works of the Center in which the form and function of the archive are translated into various realizations of “memory theater” (including “behind-the-scenes theater” inspired by the form of the archive, mysteries of memory, the expanded digital archive and its network infrastructure oriented on “memory work”, etc.)
2
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Dar krytyki (pięć notatek o pisarstwie krytycznoliterackim Mariana Stali)

100%
Próchniak P.
Wielogłos
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2012
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vol. 4
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issue 14
PL
THE GIFT OF LITERARY CRITICISM (FIVE NOTES ON MARIAN STALA’S CRITICAL WRITINGS) This essay presents a profi le of Marian Stala as a literary critic. The author’s reading of the notable literary historian’s critical output is at the same time an attempt to uncover the state of contemporary criticism that still recognizes the role of literature as important.
3
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Jan Lechoń: wiatr nocy, rysunek rdzy (na marginesie wiersza Stara Warszawa)

100%
Próchniak P.
Poznańskie Studia Polonistyczne. Seria Literacka
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2010
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issue 17
67-80
EN
The present sketch proposes an aspectual analysis and interpretation of the poem Stara Warszawa by Jan Lechoń. The author of the sketch is interested in architectonics of the world revealed and rendered in the poem, in a complex and intricate network of relations in which the poem establishes, maintains, develops and interacts with other cultural texts, as well as its existentialist dimension. The basic frame of reference for the last mentioned issue is the friendship shared by Lechoń and Stanisław Baliński.
4
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Czasami jestem (czytając wiersz McDonald’s)

100%
Próchniak P.
Poznańskie Studia Polonistyczne. Seria Literacka
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2012
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issue 19
211-220
EN
The present sketch proposes an interpretation of one of the most important poems of the early poetry written by Marcin Świetlicki. At the same time, the reading of the poem is paired with a simultaneous analytical interpretation providing the standard analytical scheme usually applied to any poetical work (this scheme is based on a sequence of recognitions that refer to: 1. writing, 2. euphony, 3. semantics of spaces concentrated with meaning, 4. the structure of the presented world. A presentation of the four fundamental steps in the analysis is accompanied with a reflection on the paradox of interpretation, the corresponding model of which is in the poem the outlined mirror image of identity between the “opaque” depth and “overt” surface.
5
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Prawda marginesu (notatki z lektury)

100%
Próchniak P.
Poznańskie Studia Polonistyczne. Seria Literacka
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2012
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issue 20
197-207
EN
The essay presents remarks about the category of “the margin” in modern Polish literature, and also an interpretation of Zbigniew Kopeć’s book, Niepokorni. Brudni. Źli. Ludzie marginesu w prozie polskiej XX wieku [The Angry, The Dirty, The Bad: People of the Margin in Polish Fic­tion of the 20th Century]. The truth of the margin emerges from an en­counter with sheer existence, with life on the bottom, in places marked by suffering and evil, places that are sick, pathological, revulsive, and consequently abandoned by the better-off part of the society. A lit erature that approaches such places attempts to be a quest for pure and simple truth that is touching and deeply human. Kopeć’s and the present author’s remarks, presented in the article, are dedicated to such attempth made by Polish fiction writers of the 20th century.
6
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Horyzont kresu. Glosy do Drugiego przyjścia Williama Butlera Yeatsa

100%
Próchniak P.
Poznańskie Studia Polonistyczne. Seria Literacka
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2014
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issue 24
171-184
EN
The outline presents a comprehensive interpretation of the poem The Second Coming by William Butler Yeats.
7
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Miłosna dokładność: czytając wiersze Marcina Świetlickiego (zapis eseju mówionego)

100%
Próchniak P.
Polonistyka. Innowacje
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2022
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issue 16
129-142
EN
The author presents a comprehensive interpretation of Marcin Świetlicki’s poetry, emphasizing the modeling role of the gesture of opening the poet’s creative path and highlighting the key threads and figures of imagination that organize his work. At the same time, he presents a strategy of reading that – performatively, thanks to interpretive passages – resonates with Świetlicki›s poetic practice and allows the modalities of his poems to resound, which are founded on the existentially rooted forms of “presence” and related presentations of the “voice” with them. The form of the spoken essay used by Próchniak also serves to capture these registers of the poetry of the author of Schizma.
PL
Autor przedstawia całościowe odczytanie poezji Marcina Świetlickiego – kładąc akcent na modelującej roli gestu otwarcia twórczej drogi poety oraz wydobywając kluczowe wątki i figury wyobraźni organizujące jego dzieło. Jednocześnie prezentuje taką strategię lektury, która – performatywnie, za sprawą interpretacyjnych pasaży – wchodzi w rezonans z praktyką poetycką Świetlickiego i pozwala wybrzmieć zwłaszcza tym modalnościom jego wierszy, które ufundowane zostały na egzystencjalnie zakorzenionych formach „obecności” i na związanych z nimi uobecnieniach „głosu”. Uchwyceniu tych rejestrów poezji autora Schizmy służy również wykorzystana przez Próchniaka forma eseju mówionego.
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ROZMOWA „WIELOGŁOSU”

33%
Walas T., Markowski M. P., Próchniak P., Skrendo A., Śliwiński P., Uniłowski K., Kunz T., Rojek P.
Wielogłos
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2009
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vol. 1
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issue 5-6
PL
O kondycji i perspektywach polonistyki uniwersyteckiej rozmawiają Teresa Walas, Michał Paweł Markowski, Paweł Próchniak, Andrzej Skrendo, Piotr Śliwiński, Krzysztof Uniłowski, Tomasz Kunz i Przemysław Rojek
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