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Nové směry (a staré mezery) v teorii vyprávění

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This review of the essay volume 'Neue Ansätze in der Erzähltheorie' begins with an overview of narratological literature (including translations) in Czech and Slovak literary studies in the second half of the twentieth century.
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Naratologické marginálie české teorie literatury

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EN
This essay, an outline of the history of Czech 'protonarratology', focuses on the contributions made to the field by Jan Mukarovský, Felix Vodicka, and Lubomir Dolezel, but also considers the contributions of Miroslav Cervenka, Jaroslava Janácková, Vladimir Macura, Daniela Hodrová, and Alice Jedlicková.
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Theorists of narrative studies often claim that the history of narrative theory is impossible to narrate because of its specific nature, consisting in the discontinuity of development due to disproportional introduction (and implementation) of the theory in various research cultures connected with diverse traditions of philological studies, which has resulted in a cluster-like character of particular narratologic systems. Narrative theory may represent a case study in the context concerned, i.e. in the discourse questioning historiographic methods in general. The question that narratologists may share with historians is this: are there any spheres of human culture and periods of its development so specific in their character as to prevent us from mediating them by means of current historiographic methods? A scheme for writing the history of narrative theory is presented here, based on negotiating between a history of ideas (including virtual links between related concepts dislocated in time and space) and an institutional history that enables us to understand the gaps. Various narrative modes are employed to re-construct the development of narrative studies as a coherent process. Recent attempts at replacing the history of narrative studies with a selection of canonic text are subject to criticism; the first synthetic essays on the topic Fludernik (2005) Herman (2005) are analyzed here in order to discern the principles of 'making a history of narrative theory possible'.
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S mimezí v batohu na výlet do různosvětů

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An essay inspired by Lubomir Dolezel's 'Heterocosmica: Fiction and Possible Worlds' presents - in part polemically - the essential features of the theory of fictional worlds (including clear definitions of the terms 'actual', 'possible', and 'fictional' worlds), and, following on from this, it interprets the short story 'Muzeum tety Laury' (Aunt Laura's Museum) from Frantisek Langer's collection 'Malirské povidky' (A painter's tales).
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